Cannes Review: Ira Sachs’ ‘Frankie’ is pretty, vacant
Ira Sachs’ latest is a hollow yet picturesque film on a decaying star In his…
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Cannes Review: ‘Port Authority’ embraces diverse storytelling but is a reminder there’s a long way to go in terms who gets to tell them
I grew up slightly outside the New York City ball and vogue scene with the…
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Cannes Review: Asif Kapadia’s ‘Diego Maradona’ scores as an engrossing doc on the price of fame
Asif Kapadia’s new documentary is an engrossing portrayal of a football legend One of the…
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Cannes Review: ‘The Lighthouse’ Willem Dafoe and Robert Pattinson go toe to toe in Robert Eggers’ impeccably crafted new film
Robert Eggers follows up The Witch by crafting The Lighthouse, a sublimely nightmarish tale about…
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Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a film for the ages
Terrence Malick’s latest is a magnetic, contemplative and epic film that asks big, timely questions…
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Cannes Review: ‘I Lost My Body’
Jérémy Clapin’s film is a unique, inventive if slightly undercooked, animated gem In his debut…
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Cannes Review: ‘Pain and Glory’ is Pedro Almodóvar’s magnum opus
Pedro Almodóvar’s latest film is a masterpiece that balances the personal with the relatable How…
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Cannes Review: Jessica Hausner’s ‘Little Joe’ is engaging, haunting and reflective
Jessica Hausner’s atmospheric new film is an engaging, if somewhat lacking, work Part-thriller, part-drama, Little…
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Cannes Review: ‘Sorry We Missed You’
Ken Loach’s latest film is a deceptively simple yet shattering and a step up from…
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Cannes Review: ‘Atlantics’ (Atlantique) is beautiful, painful and poetic
Mati Diop’s film, the first in competition feature for a black woman at Cannes, is…
