‘Bird’ Review: Andrea Arnold’s Fable is Salvation in Pure Cinematic Form | Cannes
British filmmaker Andrea Arnold has always been interested in humans: the way they live, love, and carry their wounds through a world that is not... Read More
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2023 New York Film Critics Circle (NYFCC) Winners: ‘Killers of the Flower Moon’ Named Best Film, Charles Melton Wins Again
The New York Film Critics Circle (NYFCC), the first major critics’ group of the season, have named Martin Scorsese’s Killers of the Flower Moon the... Read More
‘Lubo’ Review: Franz Rogowski is Extraordinary in Giorgio Diritti’s Sometimes Brutal Work | Venice
‘You will devote your life to conquering death’: so is foretold to the titular protagonist of Giorgio Diritti’s Lubo (Franz Rogowski) before he embarks on... Read More
‘Disco Boy’ review: Franz Rogowski enchants in Giacomo Abbruzzese’s daring, dreamlike debut feature | Berlinale
Disco Boy is both equal parts mysterious and beguiling, as director Giacomo Abbruzzese guides the audience on a harrowing, yet intimate and sometimes dream-like journey.... Read More
‘Passages’ review: Passion and toxicity collide in latest complex romantic drama from Ira Sachs | Sundance
From the moment we meet Tomas (Franz Rogowski), he is in full control. He is shooting his latest film, directing his lead actor to walk... Read More
‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
2018 Berlin Film Festival Review: Christian Petzold’s ‘Transit’
Synopsis: When a man flees France after the Nazi invasion, he assumes the identity of a dead author whose papers he possesses. Stuck in Marseilles, he... Read More
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Director Watch Podcast Ep. 56 – ‘Domino’ (Tony Scott, 2005) with guest Brian Tallerico of RogerEbert.com
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