Jia Zhangke’s firmly established himself as one of China’s most exciting, innovative filmmakers, whether it’s in fiction (as 2018’s meditative Ash is Purest White can... Read More
jia zhangke
[divider style=”normal” top=”20″ bottom=”20″] The International Cinephile Society (of which I am a member) has chosen its own Cannes winner just ahead of the festival’s... Read More
One of the most commercial and straightforward films of his career, Jia Zhang-ke’s ASH IS PUREST WHITE is accessible but not superficial, entertaining but never... Read More
The complete Cannes Film Festival jury was revealed this morning and the group is as eclectic as its been in many years. Previous Cannes winners... Read More

NYFF Review: Jia Zhangke takes an unfocused look at Chinese history and literature with ‘Swimming Out Till the Sea Turns Blue’
Lee Chang-dong’s ‘Burning’ Tops ICS Cannes Awards
Cannes Review: Zhao Tao is a Best Actress Contender in ‘Ash is Purest White’ from Jia Zhang-ke
67th Cannes Film Festival Complete Jury Revealed
‘Palm Royale’ TV Review: Soirees, Serial Killers and Soap Tropes Make Sophomore Season More Confident and Absurd Than the First
‘Pluribus’ TV Review: Rhea Seehorn is the Worst Person in the World [A]
Interview: Mary Bronstein and Rose Byrne on Molding an Immersive Experience of Modern Motherhood with ‘If I Had Legs I’d Kick You’
Interview: Jafar Panahi on Making a Statement of Forgiveness Rather Than Revenge with ‘It Was Just an Accident’