Incestuous family. Those are the words that come to mind here for a variety of reasons. What started as a running joke about the lack... Read More
review
The concept of the male gaze is almost literally what defines Hollywood. Movies made in Hollywood are still largely made by men for men, and... Read More
I love a good conspiracy theory. Don’t get me wrong, though: not all conspiracy theories are fun. Some are silly, some are crazy, and some,... Read More
I’m starting to feel about coming-of-age movies the same way I feel about superhero movies: at this point, it’s got to be really special for... Read More
Between 1939, with their film animated feature Snow White, up to the early 1960s, The Walt Disney Company was the dominated studio for animated film.... Read More
“Based on an actual lie” That is the opening title card for Lulu Wang’s deeply personal and richly drawn The Farewell, providing us immediately with... Read More
Taron Egerton is absolutely electric as Elton John in Dexter Fletcher’s imaginative, brash and dazzling musical biopic of the legendary musician Sometimes a biopic about... Read More
Xavier Dolan’s latest is cluttered, uneven but well-intentioned film about repressed love In his follow-up to a string of negatively received films (It Must Be... Read More
[divider style=”solid” top=”20″ bottom=”20″] Fargo has won the 2016 AwardsWatch Emmy for Program of the Year for the second year in a row, becoming only the... Read More
[divider style=”solid” top=”20″ bottom=”20″] HBO’s The Leftovers topped the 2016 AW Emmy nominations today with a total of 10 including three acting mentions, Drama Series and... Read More

Film Review: ‘Star Wars: The Rise of Skywalker’ – The Force Ghost of Banality, Now and Forever
Review: Céline Sciamma challenges the male gaze with the meticulous and gorgeous ‘Portrait of a Lady on Fire’
Review: Mads Brügger’s ‘Cold Case Hammarskjöld’ is a compelling whodunit
Review: ‘This Is Not Berlin’
Review: ‘The Lion King’
Review: Lulu Wang’s ‘The Farewell’
Review: ‘Rocketman’
Cannes Review: Xavier Dolan’s ‘Matthias and Maxime’ is an improvement over recent works but still lacks emotional urgency
2016 AwardsWatch Emmy Winners: Veep, Fargo, The Leftovers and People v OJ Rule
2016 AW Emmy Nominations: The Leftovers, You’re the Worst Get Top Mentions
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10