TIFF Review: Michael Showalter’s ‘The Eyes of Tammy Faye’ is a fascinating character study led by a career-best performance from Jessica Chastain [Grade: A-]
A wonderful showcase for the incredible talent of Jessica Chastain, The Eyes of Tammy Faye looks at opportunism and exploitation in the flashy, and often... Read More
TIFF21
TIFF Review: Nadav Lapid’s bold ‘Ahed’s Knee’ delivers scathing political critique and a piercing look at decaying humanity [Grade: A-]
One of the year’s most striking films, marked by daring originality and a singular directorial vision, Ahed’s Knee is unlike any other film you’ll see... Read More
TIFF Review: ‘Violet’ gives voice to the violent self-destruction of anxiety, even as the gimmick gets old [Grade: B-]
Why can’t I stop this voice in my head? This phrase, one of many blasted in cursive in the margins of Justine Bateman’s directorial debut... Read More
TIFF Review: ‘The Electrical Life of Louis Wain’ is a dizzyingly quirky biopic about England’s original cat dad [Grade: A-]
Many artists are never appreciated in their time; others get the appreciation, but little of the money and fame. The latter is definitely true of... Read More
TIFF Review: Riz Ahmed is once again a powerhouse in minimalist sci-fi pic ‘Encounter’ [Grade: A-]
Just last year, Riz Ahmed wowed viewers with his stirring, Oscar-nominated portrayal of a drummer losing his hearing in Sound of Metal. His latest starring... Read More
TIFF Review: Poland’s Oscar entry ‘Leave No Traces’ is a sobering thriller about the state of police brutality [Grade: B]
Though director Jan Matuszyńki insists Burn After Reading was the single biggest influence on his sophomore feature and Oscars entry, Leave No Traces is not... Read More
TIFF Review: Antoine Fuqua’s ‘The Guilty’ remake delivers a superb performance from Jake Gyllenhaal but the film remains in the shadow of the original [Grade: B]
A remake of the Oscar-shortlisted Danish film of the same name, The Guilty attempts to recreate the original’s sense of suspense and dread and partly... Read More
TIFF Review: Juho Kuosmanen’s ‘Compartment No. 6’ is a touching film on the essentialness of human connection [Grade: B+]
Quietly ruminating on what brings us together as humans, especially our need to connect as we navigate the harshness, and likely loneliness, of being alive.... Read More
TIFF Review: ‘Mothering Sunday’ is a lusty, languid tale of death and creative rebirth [Grade: B-]
England, 1924 — World War I has been over for half a decade, but for many, the wounds of the Great War are still fresh.... Read More
TIFF Review: Mahamat-Saleh Haroun’s abortion drama ‘Lingui, the Sacred Bonds’ is a celebration of the resilience of Chadian women [Grade: B]
An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated film, Lingui, The Sacred Bond,... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10