TIFF Review: Michael Showalter’s ‘The Eyes of Tammy Faye’ is a fascinating character study led by a career-best performance from Jessica Chastain [Grade: A-]
A wonderful showcase for the incredible talent of Jessica Chastain, The Eyes of Tammy Faye looks at opportunism and exploitation in the flashy, and often... Read More
TIFF21
TIFF Review: Nadav Lapid’s bold ‘Ahed’s Knee’ delivers scathing political critique and a piercing look at decaying humanity [Grade: A-]
One of the year’s most striking films, marked by daring originality and a singular directorial vision, Ahed’s Knee is unlike any other film you’ll see... Read More
TIFF Review: ‘Violet’ gives voice to the violent self-destruction of anxiety, even as the gimmick gets old [Grade: B-]
Why can’t I stop this voice in my head? This phrase, one of many blasted in cursive in the margins of Justine Bateman’s directorial debut... Read More
TIFF Review: ‘The Electrical Life of Louis Wain’ is a dizzyingly quirky biopic about England’s original cat dad [Grade: A-]
Many artists are never appreciated in their time; others get the appreciation, but little of the money and fame. The latter is definitely true of... Read More
TIFF Review: Riz Ahmed is once again a powerhouse in minimalist sci-fi pic ‘Encounter’ [Grade: A-]
Just last year, Riz Ahmed wowed viewers with his stirring, Oscar-nominated portrayal of a drummer losing his hearing in Sound of Metal. His latest starring... Read More
TIFF Review: Poland’s Oscar entry ‘Leave No Traces’ is a sobering thriller about the state of police brutality [Grade: B]
Though director Jan Matuszyńki insists Burn After Reading was the single biggest influence on his sophomore feature and Oscars entry, Leave No Traces is not... Read More
TIFF Review: Antoine Fuqua’s ‘The Guilty’ remake delivers a superb performance from Jake Gyllenhaal but the film remains in the shadow of the original [Grade: B]
A remake of the Oscar-shortlisted Danish film of the same name, The Guilty attempts to recreate the original’s sense of suspense and dread and partly... Read More
TIFF Review: Juho Kuosmanen’s ‘Compartment No. 6’ is a touching film on the essentialness of human connection [Grade: B+]
Quietly ruminating on what brings us together as humans, especially our need to connect as we navigate the harshness, and likely loneliness, of being alive.... Read More
TIFF Review: ‘Mothering Sunday’ is a lusty, languid tale of death and creative rebirth [Grade: B-]
England, 1924 — World War I has been over for half a decade, but for many, the wounds of the Great War are still fresh.... Read More
TIFF Review: Mahamat-Saleh Haroun’s abortion drama ‘Lingui, the Sacred Bonds’ is a celebration of the resilience of Chadian women [Grade: B]
An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated film, Lingui, The Sacred Bond,... Read More
2024 Camerimage Film Festival: Danish Oscar Entry ‘The Girl With the Needle’ Wins Golden Frog 
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)