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‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
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Cannes Film Festival
Film Reviews
‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
Iana Murray
May 18, 2024
‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes
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Cannes Film Festival
Film Reviews
‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes
Savina Petkova
May 18, 2024
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes
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Cannes Film Festival
Film Reviews
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes
Ali Benzekri
May 18, 2024
‘Furiosa: A Mad Max Saga’ Review: George Miller’s Action-Packed Revenge Tale is a Bad to the Bone Masterpiece
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Film Reviews
‘Furiosa: A Mad Max Saga’ Review: George Miller’s Action-Packed Revenge Tale is a Bad to the Bone Masterpiece
Ryan McQuade
May 17, 2024
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