LFF Review: The fascinating, abstract ‘Monos’ marvels as much as it confounds
There are monsters, and then there are monsters! Here, on this fertile, bounteous planet, the monsters take a combative stance against the earth that gave... Read More
Film Festivals
Telluride Review: Trey Edward Shults’ ‘Waves’ is an undeniable masterpiece
“History never repeats itself but it rhymes.” That Mark Twain quote is a wonderfully reoccurring motif that pops up in Waves, the third film from... Read More
Telluride Review: ‘Judy’ is Renée Zellweger in peak form
In Judy, Renée Zellweger is at the top of her game playing a Hollywood legend at the bottom of hers Biopics of legendary figures almost... Read More
Telluride Review: ‘Ford v Ferrari’ is a thrill ride with an emotional supercharge
James Mangold’s thrilling race car drama stars Matt Damon as Carroll Shelby and Christian Bale as Ken Miles, two racing legends at the center of... Read More
Review: ‘After the Wedding’ is a dull and predictable melodrama despite a radiant Michelle Williams
Funny how things have a tendency to endure when there’s a bit of money behind them. Funnier still how that tendency barely seems to dwindle... Read More
Review: Jennifer Kent’s brutal but brilliant ‘The Nightingale’
The early career path of a breakthrough filmmaker can be a treacherous one. Respond to Hollywood’s call and you risk selling out; pursue an independent... Read More
Review: Emma Thompson is excellent in Mindy Kaling’s ‘Late Night’
Everything old is new again! Five or ten years back, a gentle little comedy like Late Night might have come and gone without a trace. It was... Read More
Cannes Review: ‘Portrait of a Lady on Fire’ is passionate, unconventional lesbian cinema
Céline Sciamma’s Portrait of a Lady on Fire, the romance drama set in 18th-century French high society has all the boxes checked: stunning cinematography, elegant... Read More
Cannes Review: Elia Suleiman’s ‘It Must Be Heaven,’ is a political and sometimes brilliant meta commentary on Palestine identity
Elia Suleiman’s latest is a dryly comedic essay film on the Palestinian identity In the same vein as his previous films, but perhaps less structured... Read More
Cannes Review: Marco Bellocchio’s Godfather-esque ‘The Traitor’ struggles with the duality of its style
Marco Bellocchio’s latest features a clash of cinematic styles with mixed results One of Italy’s most remarkable directors, Marco Bellocchio’s films always have a sense... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10