An insider’s view of her home country intertwines with an outsider’s view in Krabi, 2562, an accessible experimental work from Anocha Suwichakornpong and Ben Rivers. She brings... Read More
Film Festivals
Legends reunite in Martin Scorsese’s sprawling gangster epic featuring a rousing performance by Al Pacino and a scene-stealing Joe Pesci playing against type An epic... Read More
A stark, sombre drama with barely a second’s worth of levity, Chinonye Chukwu’s Clemency is heavy, punishing stuff. It courts the kind of emotional extremes... Read More
There are monsters, and then there are monsters! Here, on this fertile, bounteous planet, the monsters take a combative stance against the earth that gave... Read More
“History never repeats itself but it rhymes.” That Mark Twain quote is a wonderfully reoccurring motif that pops up in Waves, the third film from... Read More
In Judy, Renée Zellweger is at the top of her game playing a Hollywood legend at the bottom of hers Biopics of legendary figures almost... Read More
James Mangold’s thrilling race car drama stars Matt Damon as Carroll Shelby and Christian Bale as Ken Miles, two racing legends at the center of... Read More
Funny how things have a tendency to endure when there’s a bit of money behind them. Funnier still how that tendency barely seems to dwindle... Read More
The early career path of a breakthrough filmmaker can be a treacherous one. Respond to Hollywood’s call and you risk selling out; pursue an independent... Read More
Everything old is new again! Five or ten years back, a gentle little comedy like Late Night might have come and gone without a trace. It was... Read More

London Film Festival Review: The arresting and experimental ‘Krabi, 2562’
Review: In ‘The Irishman,’ Scorsese’s mobsters age, facing their own mortality
LFF Review: Alfre Woodard is mesmerizing in ‘Clemency’
LFF Review: The fascinating, abstract ‘Monos’ marvels as much as it confounds
Telluride Review: Trey Edward Shults’ ‘Waves’ is an undeniable masterpiece
Telluride Review: ‘Judy’ is Renée Zellweger in peak form
Telluride Review: ‘Ford v Ferrari’ is a thrill ride with an emotional supercharge
Review: ‘After the Wedding’ is a dull and predictable melodrama despite a radiant Michelle Williams
Review: Jennifer Kent’s brutal but brilliant ‘The Nightingale’
Review: Emma Thompson is excellent in Mindy Kaling’s ‘Late Night’
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]