Terrence Malick’s latest is a magnetic, contemplative and epic film that asks big, timely questions coupled with fantastic technical credits and performances A return to... Read More
Film Festivals
Jérémy Clapin’s film is a unique, inventive if slightly undercooked, animated gem In his debut animated feature, Jérémy Clapin goes for a dark, uncompromising and... Read More
Pedro Almodóvar’s latest film is a masterpiece that balances the personal with the relatable How do you make a film about yourself? Perhaps the better... Read More
Jessica Hausner’s atmospheric new film is an engaging, if somewhat lacking, work Part-thriller, part-drama, Little Joe features excellent technical credits, an intriguing script but lacks... Read More
Ken Loach’s latest film is a deceptively simple yet shattering and a step up from I, Daniel Blake Did you ever stop to think about... Read More
Mati Diop’s film, the first in competition feature for a black woman at Cannes, is as poetic as it is urgent Few films possess this... Read More
Director Levan Akin confronts Georgia’s (former USSR/Eastern Europe) conservative, moralising, antiquated attitude towards sexual freedom, the masculine tradition and gay love with an aggressive fervour.... Read More
Dexter Fletcher’s Elton John biopic is an entertaining if imperfect film with a fantastic performance from Taron Egerton Certain to draw comparisons to worldwide box... Read More
Ladj Ly’s debut feature is a stunning, explosive film that is both fresh and arresting Debut films selected in competition at Cannes are rare –... Read More
First time feature director Annie Silverstein new film Bull, will leave you with thoughts you can’t process right away. Silverstein co-wrote the script with Johnny... Read More

Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a film for the ages
Cannes Review: ‘I Lost My Body’
Cannes Review: ‘Pain and Glory’ is Pedro Almodóvar’s magnum opus
Cannes Review: Jessica Hausner’s ‘Little Joe’ is engaging, haunting and reflective
Cannes Review: ‘Sorry We Missed You’
Cannes Review: ‘Atlantics’ (Atlantique) is beautiful, painful and poetic
Cannes Review: ‘And Then We Danced’ is a brave, urgent and revolutionary statement
Cannes Review: ‘Rocketman’
Cannes Review take two: ‘Les Misérables’ is “one of the most timely and urgent films of the year”
Cannes Review: ‘Bull’ has good intentions but feels all too familiar
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]