Telluride Review: ‘Judy’ is Renée Zellweger in peak form
In Judy, Renée Zellweger is at the top of her game playing a Hollywood legend at the bottom of hers Biopics of legendary figures almost... Read More
Film Festivals
Telluride Review: ‘Ford v Ferrari’ is a thrill ride with an emotional supercharge
James Mangold’s thrilling race car drama stars Matt Damon as Carroll Shelby and Christian Bale as Ken Miles, two racing legends at the center of... Read More
Review: ‘After the Wedding’ is a dull and predictable melodrama despite a radiant Michelle Williams
Funny how things have a tendency to endure when there’s a bit of money behind them. Funnier still how that tendency barely seems to dwindle... Read More
Review: Jennifer Kent’s brutal but brilliant ‘The Nightingale’
The early career path of a breakthrough filmmaker can be a treacherous one. Respond to Hollywood’s call and you risk selling out; pursue an independent... Read More
Review: Emma Thompson is excellent in Mindy Kaling’s ‘Late Night’
Everything old is new again! Five or ten years back, a gentle little comedy like Late Night might have come and gone without a trace. It was... Read More
Cannes Review: ‘Portrait of a Lady on Fire’ is passionate, unconventional lesbian cinema
Céline Sciamma’s Portrait of a Lady on Fire, the romance drama set in 18th-century French high society has all the boxes checked: stunning cinematography, elegant... Read More
Cannes Review: Elia Suleiman’s ‘It Must Be Heaven,’ is a political and sometimes brilliant meta commentary on Palestine identity
Elia Suleiman’s latest is a dryly comedic essay film on the Palestinian identity In the same vein as his previous films, but perhaps less structured... Read More
Cannes Review: Marco Bellocchio’s Godfather-esque ‘The Traitor’ struggles with the duality of its style
Marco Bellocchio’s latest features a clash of cinematic styles with mixed results One of Italy’s most remarkable directors, Marco Bellocchio’s films always have a sense... Read More
Cannes Review: Michael Angelo Covino’s ‘The Climb’ is pitch-perfect buddy comedy
It’s not without its blemishes, but by combining breakthrough lead performances, accomplished cinematography, hilarious sight gags and pitch-perfect, farcical dialogue, Michael Angelo Covino’s re-invention of... Read More
Cannes Review: ‘The Bears’ Famous Invasion’
Lorenzo Mattotti’s debut animated feature is an animated feast for the eyes In his first animated feature, Lorenzo Mattoti delivers one of the most beautiful... Read More
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