‘Babygirl’ Review: Nicole Kidman is Feral and Fearless as a Woman Taking Charge of Her Sexual Freedom | Venice
This is a film about sex! From the first moments, as the logos of production companies flash on the screen, we’re immersed in a world... Read More
Film Reviews
‘Maria’ Review: Angelina Jolie is a Woman Under the Influence in Pablo Larraín’s Minor Lietmotif | Venice
Even though he has been working in the biopic genre for a while now (NO, Neruda, Jackie, Spencer), Chilean director Pablo Larraín was under the... Read More
‘September 5’ Review: Tim Fehlbaum’s Take on the 1972 Munich Olympics Massacre Fails in its Presentation of Palestinian People | Venice
In 1972, Munich hosted the Summer Olympic Games. At the time, Germany was separated into two factions; East Germany, under the influence of a communist... Read More
‘Beetlejuice Beetlejuice’ Review: The Juice is Back But Will This Legacy Sequel Quench Anybody’s Thirst? | Venice
Thirty six years have passed since audiences were introduced to the weird and wonderful mind of filmmaker Tim Burton. His sophomore feature Beetlejuice – a... Read More
‘Black Dog’ Review: Poetic Rehabilitation Drama Has Compassion For Man and Man’s Best Friend Led By an Extraordinary Eddie Peng
Major controversies surrounded the 2008 Beijing Olympic Games while they occurred, but it was only after they came to a close that the organisers were... Read More
‘Blink Twice’ Review: Zoë Kravitz’s Feminist ‘Get Out’ is Righteously Angry and Frustratingly Derivative
To call Blink Twice an updated, feminist version of Get Out carries a lot of implications all at once—it’s a bit obvious, somewhat reductive, and... Read More
‘Alien: Romulus’ Review: Fede Álvarez’s ‘Alien’ Sequel is a Sometimes Thrilling, Yet Synthetic Greatest Hits Album
Forty-five years ago, Ridley Scott’s Alien completely changed the game for science fiction filmmaking. It combined aspects of the B-movies of the 1960s with the... Read More
‘Borderlands’ Review: Lock This Disaster in a Vault and Throw Away the Key
Was Madame Web just the warm-up for a bigger blockbuster disaster on the horizon? Lionsgate’s adaptation of the video game franchise Borderlands – credited to... Read More
‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More
‘Duchess’ Review: Neil Marshall’s Charmless Guy Ritchie Rip-Off is a Female Empowerment Forgery
In 1998, Guy Ritchie erupted onto the British cinema scene with Lock, Stock and Two Smoking Barrels. The gangster movie, which in itself took inspiration... Read More
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW] 
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019) 
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead