‘FAYE’ Review: Laurent Bouzereau Finds Morsels of Truth in one of Hollywood’s Most Venerable and Vilified Stars | Cannes
Premiering in the Cannes Classics section of the fest’s 77th edition, FAYE, Laurent Bouzereau’s documentary on Hollywood icon Faye Dunaway, is very much the standard-issue... Read More
Film Reviews
‘Ghostlight’ Review: Two Households Both Aim for Dignity in Cathartic Shakespearean Dramedy | Chicago Critics Film Festival
One of the best moments of Ghostlight actually occurs during the end credits. Looking at the cast list, one thing immediately jumps out – the... Read More
‘Good One’ Review: India Donaldson’s Feature Debut is a Profound and Big-Hearted Triumph | Chicago Critics Film Festival
It’s a risky prospect to give a movie a title that could also be used to critically assess it. Some titles are basically asking to... Read More
‘Kingdom of the Planet of the Apes’ Review: Owen Teague and the VFX work highlight Wes Ball’s Action-Packed Installment
There is something endearing about how the Planet of the Apes franchise has continued to defy expectations throughout its nearly sixty-year existence. From the moment... Read More
‘Dandelion’ Review: KiKi Layne is Electric in Wilted Story of a Musician’s Journey | Chicago Critics Film Festival
Most actors count themselves lucky to land a leading role. In the case of Dandelion, the new film from writer-director Nicole Riegel, the movie is... Read More
‘Oddity’ Review: Damian Mc Carthy’s Mannequin Horror is Anything But Wooden | Chicago Critics Film Festival
Films that rely on jump scares are a controversial topic amongst horror fans. Some prefer them over the kinds of mood-based, slow paced “elevated” horror... Read More
‘Boy Kills World’ Review: An Often Hilarious, Weirdly Heartwarming, Violent Dystopia Void of Ideology
Boy Kills World (2024) occurs in an authoritarian dystopian region that the Van Der Koy family rules with an iron fist. The Boy (Bill Skarsgård... Read More
‘The Ministry of Ungentlemanly Warfare’ Review: Guy Ritchie’s Crowd-Pleasing Pic is a Perfect Match for Henry Cavill’s Charms and Alan Ritchson’s Arms
Rarely has the phrase “based on a true story” been stretched quite as thin as it has in Guy Ritchie’s bloody, bombastic, and wholly entertaining... Read More
‘Abigail’ Review: Pirouette with a Vampire
Abigail, the latest baroque bloodbath from directing duo Matt Bettinelli-Olpin and Tyler Gillett (aka Radio Silence), feels familiar. Too familiar, in fact. It’s not just... Read More
‘Back to Black’ Review: You Know That This Amy Winehouse Biopic is No Good
It’s hard to forget the first time you hear a voice like Amy Winehouse’s, especially as a teenage girl in the early aughts. It was... Read More
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’ 
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW] 
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]