A spiky icon and a gentle iconoclast, Diana Spencer occupies a place in the public consciousness of Britain and the rest of the world which... Read More
Film Reviews
“Thank you to my sources of inspiration: Federico Fellini, Talking Heads, Martin Scorsese and Diego Armando Maradona.” When Paolo Sorrentino went on stage to accept... Read More
“Deliver my soul from the sword. My love from the power of the dog” (Psalms, 22:20, David’s address to God to free him from his... Read More
No matter how hard we try to escape it, we’re all children of history. It defines the life of a country and, by consequence, that... Read More
“If not for the money, why play?” – “It passes the time,” says professional gambler William Tell (Oscar Isaac) when prompted to justify his string... Read More
Near the end of the latest film adaptation of tale-as-old-as-time Cinderella, Minnie Driver shudders a deep sigh and witheringly intones, “What fresh hell is this?”... Read More
It’s been twenty years since the horrific events of September 11th, 2001, a day where the United States was shaken to its absolute core. Everyone... Read More
There’s an atypical lead at the center of Everybody’s Talking About Jamie. A reed-thin teenage boy with platinum blonde hair and the confidence of someone... Read More
With YouTubers like Flula Borg, Lily Singh, and Anna Akana able to successfully parlay internet stardom into a career in Hollywood, it was only a... Read More
Trauma in any form is devastating to the human psyche. It can take years, an entire lifetime to process and cope with, or to even... Read More

Venice review: Kristen Stewart delivers a career-best performance in a fitting and fantastic look at an accidental revolutionary in ‘Spencer’ [Grade: A]
Venice Review: ‘The Hand of God’ is Paolo Sorrentino’s sublime masterpiece [Grade: A]
Venice Review: With ‘The Power of the Dog,’ Jane Campion and her cast do justice to a literary masterpiece
Venice Review: ‘Parallel Mothers (Madres Paralelas)’ is a powerful portrayal of mothers in Almodóvar’s most political film
Venice review: The road to redemption is a long and rocky one in Paul Schrader’s ‘The Card Counter’ [Grade: A]
‘Cinderella’ review: Billy Porter soars, Camila Cabello strains in a jukebox musical that lands like a lead slipper
‘Worth’ review: Michael Keaton delivers in this subtle, harrowing look at the people left behind on September 11th
‘Everybody’s Talking About Jamie’ review: Rose-colored to a fault, but with its queer heart firmly in the right place
‘He’s All That’ review: Addison Rae’s gender-swapped flop pales in comparison to the original
‘Candyman’ review: Nia DaCosta’s entertaining exploration of Black mythology ends up a little bittersweet
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]