Venice Review: “Reflection” is a brutal, technically accomplished, but emotionally cold look at war and its consequences
Ukranian director Valentyn Vasyanovych won the hearts of many at the 2019 Venice Film Festival, when his Atlantis won the Orizzonti section. Atlantis was a... Read More
Reviews
TIFF Review: Darin J. Sallam’s debut feature ‘Farha’ is an effective socio-political thriller of the horrors of displacement in the Middle East [Grade: B]
Despite glaring pacing issues, Darin J. Sallam’s debut feature, Farha, manages to leave a strong impression. After a clunky first 30 minutes, the film finds... Read More
TIFF Review: ‘The Survivor’ has a knockout performance from Ben Foster, even as it pulls its punches elsewhere [Grade: C+]
Weepy prestige biopics set during the Holocaust are nothing new; they’re the backbone of a robust subcategory of Oscar-hungry films eager for the audience’s attention... Read More
TIFF Review: A career-best Jack Lowden carries Terence Davies’ somber yet lyrical ‘Benediction’ [Grade: A]
Within his short filmography, rising Scottish actor Jack Lowden has shown immense acting range in films like Mary Queen of Scots, Kindred, and the overlooked... Read More
TIFF Review: Kenneth Branagh’s ‘Belfast’ masterfully captures the joys and agony of what truly makes a home [Grade: A-]
Undoubtedly his most personal film to date, Kenneth Branagh’s Belfast is a quietly moving and universally resonating film about the roots that connect us, the... Read More
TIFF Review: Michael Showalter’s ‘The Eyes of Tammy Faye’ is a fascinating character study led by a career-best performance from Jessica Chastain [Grade: A-]
A wonderful showcase for the incredible talent of Jessica Chastain, The Eyes of Tammy Faye looks at opportunism and exploitation in the flashy, and often... Read More
TIFF Review: Nadav Lapid’s bold ‘Ahed’s Knee’ delivers scathing political critique and a piercing look at decaying humanity [Grade: A-]
One of the year’s most striking films, marked by daring originality and a singular directorial vision, Ahed’s Knee is unlike any other film you’ll see... Read More
TIFF Review: ‘Violet’ gives voice to the violent self-destruction of anxiety, even as the gimmick gets old [Grade: B-]
Why can’t I stop this voice in my head? This phrase, one of many blasted in cursive in the margins of Justine Bateman’s directorial debut... Read More
TIFF Review: ‘The Electrical Life of Louis Wain’ is a dizzyingly quirky biopic about England’s original cat dad [Grade: A-]
Many artists are never appreciated in their time; others get the appreciation, but little of the money and fame. The latter is definitely true of... Read More
TIFF Review: Riz Ahmed is once again a powerhouse in minimalist sci-fi pic ‘Encounter’ [Grade: A-]
Just last year, Riz Ahmed wowed viewers with his stirring, Oscar-nominated portrayal of a drummer losing his hearing in Sound of Metal. His latest starring... Read More
Motion Picture Sound Editors (MPSE) Announce Dates for 2027 and 2028 Awards 
Director Watch Podcast Ep. 148 – ‘Peeping Tom’ (Powell, 1960) 
2026 Chicago Critics Film Festival top Open with Olivia Wilde’s ‘The Invite,’ Announces Special Guests and Recipients of 2026 Emerging Critics Grant 
The 79th Cannes Film Festival Lineup is Here, With A Strong Global Slate of Films from Ryusuke Hamaguchi, Cristian Mungiu, Jane Schoenbrun, and More