“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before the 2 p.m. screening of... Read More
Reviews
Filmed in a quarantine bubble at a Hawaiian resort last year The White Lotus — which is Mike White’s first new show since the brilliance of Enlightened disappeared far... Read More
“I’m gonna cut myself free of you. If it’s the last thing I do.“ A horror movie with as many obvious metaphors as Till Death... Read More
It was July 19th, 2011. It was finally Monday, my day off from camp counselor duties, and my fellow Monday day off-ers and I hopped... Read More
It was only two years ago that writer-director Joanna Hogg carved out a gorgeous memory piece with The Souvenir, telling a hypnotic tale of bad... Read More
“Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious, superfluous…” It’s the thesis of... Read More
Greetings upper east siders. Nearly fifteen years since after the CW first enthralled audiences with the exploits of Blair, Serena, Dan, Nate, Chuck, Jenny, and... Read More
There’s no denying the increase in the number of movies that look and feel like video games. Hollywood sees the massive popularity of video games... Read More
Fear Street Part 1: 1994 is one of the biggest surprises of the summer. As someone who often has a hard time getting into the... Read More
I remember when Zola’s tweets dropped and spent two hours reading the whole story. Zolar Moon tells an extremely noir-ish tale that is filled with... Read More

‘Cow’ review: Andrea Arnold’s wordless documentary movingly focalizes the humanity of animals [Cannes Review]
‘The White Lotus’ review: Incisive and heartfelt as ever, Mike White astonishes all over again with his latest HBO outing
‘Till Death’ review: Megan Fox has to survive the dead weight of marriage in this killer comeback
10 years ago, ‘Harry Potter and the Deathly Hallows Part 2’ taught us how to say goodbye [Retrospective]
‘The Souvenir Part II’ review: Joanna Hogg’s masterful B-Side is both a compassionate exercise on grief and a celebration of feminine rebirth [Cannes Review]
‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review]
‘Gossip Girl’ review: HBO’s glossy reboot clout chases the original but misses the cutthroat escapism that made it so fun
‘The Tomorrow War’ review: Bland sci-fi retreads, repeats yesterday’s tired tropes
‘Fear Street Part 1: 1994’ review: Adaptation of R.L Stine series is the summer’s scariest surprise
‘Zola’ review: Taylour Paige gives a star-making performance in Janicza Bravo’s cinematic treatment of the viral Twitter thread
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance
Denver Film Critics Society (DFCS) Awards: ‘Sinners’ Tops Wins with Film and Director
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions