Over the past few weeks, Steve McQueen has once again taken the world of filmmaking by storm. Coming into the festival season with an impressive... Read More
Reviews
Welcome to this week’s recap of “The Great British Baking Show,” also known as The Only Pure and Decent Thing Left On This God-Forsaken Planet™.... Read More
With his penchant for the same brand of body horror as his father’s early work, it remains a near impossible task to review Brandon Cronenberg’s... Read More
“Seeing cows makes me so sad,” Gam-hee declares as she pokes at a plate of beef in her friend Young-soon’s apartment. She can handle the... Read More
Retrospective: “I Have No Intentions of Being Friends with You”- A Look Back at ‘The Social Network’
Retrospective: “I Have No Intentions of Being Friends with You”- A Look Back at ‘The Social Network’
“I started Facebook, I run it, and I’m responsible for what happens here.” This statement was spoken by Facebook CEO Mark Zuckerberg in 2018 in... Read More
One word to describe Sally Hawkins’ talent is chameleonic. Even if she never undergoes a drastic physical transformation to become the characters she plays, she... Read More
Children think anything and everything is possible. Kids possess the ability to picture a future in which they are astronauts, professional athletes, presidents, rockstars, and... Read More
Jia Zhangke’s firmly established himself as one of China’s most exciting, innovative filmmakers, whether it’s in fiction (as 2018’s meditative Ash is Purest White can... Read More
There are cultural moments that stick with you and will stand the test of time. Britney with the snake at the VMAs. New York spitting... Read More
The second Steve McQueen film to premiere at this year’s edition of the New York Film Festival, Mangrove is the first segment of the Small... Read More

NYFF Review: Steve McQueen’s meditative ‘Red, White and Blue’ features a career-defining performance from John Boyega
‘Great British Baking Show’ S8 E2 recap: “I’m worried about your very large nuts”
Film Review: Under familial weight, Brandon Cronenberg’s ‘Possessor’ doesn’t cast the spell it needs to
NYFF Review: ‘The Woman Who Ran’ cannot escape being defined by men
Film Review: Sally Hawkins’ ‘Eternal Beauty’ isn’t just skin deep
NYFF Review: Passion and performance shine in Chaitanya Tamhane’s ‘The Disciple’
NYFF Review: Jia Zhangke takes an unfocused look at Chinese history and literature with ‘Swimming Out Till the Sea Turns Blue’
Real Housewives of Potomac Recap: “Step on the Foot, Grab the Hair, Punch the Face”
NYFF Review: Steve McQueen’s ‘Mangrove’ is his most ambitious and exciting work to date
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW