Remember in the 2010s when serious auteurs were trying their hands at 3D filmmaking? There were Oscar winners like Ang Lee’s Life of Pi, Martin... Read More
Reviews
Atropia exists somewhere between reality and fiction, between earnest emotion and absurdity. This title is also the name of the immersive training ground at the... Read More
It’s hard to remake a film that means so much to people, but Andrew Ahn’s The Wedding Banquet is a charming and poignant update to... Read More
Do you find cabbages inherently hilarious? Yes, everyone likes the cabbage merchant running gag in Avatar: The Last Airbender (say it with me: “MY CABBAGES!”),... Read More
Anyone who’s paid attention to the last two decades can understand how celebrity worship has warped the cultural zeitgeist. One such way is journalism, where... Read More
How scared do we allow ourselves to be in the face of disaster? I was not scared watching Didn’t Die, the new zombie movie from... Read More
Amid the recent surge of big screen musicals, Bill Condon (Dreamgirls) returns to the director’s chair with a new adaptation of Kiss of the Spider... Read More
Justin Lin’s first non-franchise feature in 18 years, Last Days heralds his return to independent filmmaking. The technical polish he has acquired during his time... Read More
“It’s funny, the things you pack and the things you leave,” says Dusty (Josh O’Connor) to a friend in the aftermath of the wildfire that... Read More
The second feature by Sophie Brooks (The Boy Downstairs), Oh, Hi! starts out as a pretty nondescript indie rom-com that typically makes the rounds at... Read More

‘LUZ’ Review: Isabelle Huppert Immerses Herself in the Style Over Substance of Flora Lau’s Virtual Reality [B-] – Sundance Film Festival
‘Atropia’ Review: Alia Shawkat and Callum Turner Charm in Absurdist Tale of Love in the Time of the Iraq War [B] – Sundance Film Festival
‘The Wedding Banquet’ Review: Andrew Ahn Finds Fun and Heart in Frothy Reboot of the Gay Classic [B+] – Sundance Film Festival
‘Bubble & Squeak’ Review: A Wes Anderson Wannabe That Tastes Like Spoiled Cabbages [D] – Sundance Film Festival
‘Opus’ Review: Ayo Edebiri Fights the Evils of Access Journalism in Frustrating Satirical Thriller That’s More Parvum Than Magnum [C+] – Sundance Film Festival
‘Didn’t Die’ Review: Post-Apocalyptic Podcaster Horror Whiffs on Scares, but Nails Life Amidst Disaster [B-] – Sundance Film Festival
‘Kiss of the Spider Woman’ Review: Jennifer Lopez Spins a Tantalizing Web but Tonatiuh is a Star in the Making [B] – Sundance Film Festival
‘Last Days’ Review: Sky Yang Excels in Justin Lin’s Muted Missionary Man Adventure [B-] – Sundance Film Festival
‘Rebuilding’ Review: Josh O’Connor Quietly Stuns in Max Walker-Silverman’s Solemn but Hopeful Second Feature [A] – Sundance Film Festival
‘Oh, Hi!’ Review: Tie Him Up, Tie Him Down [C+] – Sundance Film Festival
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10