The deal with the devil is one of our oldest human stories. Most references to this idea will lead you to the story of Faust(us).... Read More
Reviews
Religion has long been a staple of horror, with its supernatural tales, gothic iconography, and the ultimate fight between good and evil. Where most religiously-themed... Read More
A staple on TV growing up in the 1990s was the courtroom drama. Movies like A Few Good Men, Philadelphia, Primal Fear, My Cousin Vinny,... Read More
Cillian Murphy is the kind of actor that most directors would kill to have leading their film. His face alone makes for a compelling screen... Read More
Near the end of Robert Zemeckis’ saccharine, Oscar-winning classic, Forrest Gump, Forrest finally stops running and declares, “I’m pretty tired. I think I’ll go home... Read More
Film score is a very particular and essential art form, setting scenes from sweeping, epic romance to claustrophobic terror. Now, our most prolific composer, who... Read More
We don’t need to meet the elusive Jeremy to conclude that he is the Lydia Tár of tennis. A youth coach preparing the next generation... Read More
The queer coming-of-age story has seemingly taken over the LGBT film landscape. Nearly every film festival presents a small handful of movies that focus on... Read More
With Halloween approaching, this month’s column entry is an ideal opportunity to recommend good scary movies. However, instead of usual suspects like the original Halloween... Read More
On November 9, 1984, Wes Craven’s A Nightmare on Elm Street was released to critical and commercial acclaim, praised for how it leveraged the slasher... Read More

‘Phantom of the Paradise’ 50th Anniversary Retrospective: Better the Devil You Know Featuring ‘The Witch’ and ‘Constantine’
‘Heretic’ Review: A Sinister Hugh Grant and Warm Blueberry Pie Make for a Deliciously Entertaining Feast | AFI FEST
‘Juror #2’ Review: 12 Annoying Men and Women Deliberate in Clint Eastwood’s Courtroom Clunker | AFI FEST
‘Small Things Like These’ Review: Cillian Murphy is a Quiet Powerhouse in Aloof Drama from ‘Peaky Blinders’ Helmer Tim Mielants | Chicago International Film Festival
‘Here’ Review: This Old House Has Bad Bones and Creaky, Questionable Foundation | AFI FEST
‘Music by John Williams’ Review: Laurent Bouzereau Beautifully Scores the Life of Hollywood’s Most Prolific Composer | AFI FEST
‘Julie Keeps Quiet’ Review: Tennis Drama Muffles its Lead Instead of Challenges Her | London Film Festival
‘Baby’ Review: Marcelo Caetano’s Underdeveloped Queer Coming of Age Story Never Fully Blooms | Chicago International Film Festival
Make It a Double Feature: ‘Serial Mom’ and ‘Strait-Jacket’
‘Shocker’ at 35: Wes Craven’s Beautifully Bonkers Thriller About an Electric Serial Killer Lives On As an Underrated Gem [Retrospective]
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW