The first question I, like many other people, thought about Piece By Piece was “Why is it in LEGO?” It turns out, via the opening... Read More
Reviews
In 2011, Egyptians dreamt of change, social justice and an end to decades-long corruption. The January 25th revolution, led primarily by the younger generation was... Read More
The first lighthouse in recorded history was the Pharos of Alexandria, built in 280 BC. It towered upon the shore of Ancient Egypt, the vast... Read More
‘Motherhood is a Bitch.’ So says the tagline of the new Marielle Heller (Can You Ever Forgive Me?) film starring Amy Adams as the titular... Read More
Singapore is among the most densely populated cities in the world with almost every street under surveillance by CCTV cameras. This is the setting for... Read More
How do you tell a story about the return of something precious? About a homecoming? In Dahomey, which won the Golden Bear at the Berlin... Read More
In case you don’t remember the story of William Tell from your school days, Nick Hamm’s new film about the Swiss folk hero opens with... Read More
After the critical and commercial success of Detention, it was only a matter of time before Taiwanese filmmaker John Hsu would visit ghosts again. But... Read More
I have to imagine that one of the most difficult parts of making a documentary is that when real life writes the plot, you really... Read More
Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank Chapter 2 from its original... Read More

‘Piece by Piece’ Review: Pharrell Williams and an All-Star LEGO Lineup Tells a Life Story Too Neatly Clicked in Place | TIFF
‘Perfumed with Mint’ Review: From Egypt’s Arab Spring Muhammed Hamdy’s Striking Debut of a Wounded Generation Was Born | TIFF
‘All We Imagine as Light’ Review: Payal Kapadia’s Powerful Look at Women’s Lives in an Ever-Changing India | TIFF
‘Nightbitch’ Review: Amy Adams Goes Feral in Marielle Heller’s Neutered Adaptation of Stressed-Out Mom Novel | TIFF
‘Stranger Eyes’ Review: Yeo Siew Hua Rivets with Voyeuristic Missing Child Drama | Venice
‘Dahomey’ Review: Mati Diop Creates a Mesmerizing Artifact of Time Itself | TIFF
‘William Tell’ Review: A Rousing, Old School Hollywood Epic of a Well-Told Story | TIFF
‘Dead Talents Society’ (鬼才之道) Review: John Hsu Crafts a Hilarious and Deeply Referential Ghost Story with a Big Heart | TIFF
‘No Other Land’ Review: Basel Adra’s Palestinian Doc is a Story of Survival and Resilience and Demands Your Attention | TIFF
‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10