Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in the World in 2021, the... Read More
Reviews
Remember the myriad of ways Queen Anne demanded affection from her court in Yorgos Lanthimos’ The Favourite? At one point, Lady Sarah exclaims that “love... Read More
Romanian cinema has carved a significant niche in international film topography through its strong ties with the Festival de Cannes. Renowned filmmakers such as Cristian... Read More
The idea of a prequel is one that has always baffled me. Why does this need to exist? Why do creatives want to go backwards... Read More
To say that films are the stuff that dreams are made of, could be true for many a title. But sometimes, resorting to a cliché... Read More
Premiering in the Cannes Classics section of the fest’s 77th edition, FAYE, Laurent Bouzereau’s documentary on Hollywood icon Faye Dunaway, is very much the standard-issue... Read More
One of the best moments of Ghostlight actually occurs during the end credits. Looking at the cast list, one thing immediately jumps out – the... Read More
It’s a risky prospect to give a movie a title that could also be used to critically assess it. Some titles are basically asking to... Read More
There is something endearing about how the Planet of the Apes franchise has continued to defy expectations throughout its nearly sixty-year existence. From the moment... Read More
Most actors count themselves lucky to land a leading role. In the case of Dandelion, the new film from writer-director Nicole Riegel, the movie is... Read More

‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes
‘Furiosa: A Mad Max Saga’ Review: George Miller’s Action-Packed Revenge Tale is a Bad to the Bone Masterpiece
‘Megalopolis’ Review: Coppola’s Roman Empire Hits Audacious Heights of Brilliance and Excess | Cannes
‘FAYE’ Review: Laurent Bouzereau Finds Morsels of Truth in one of Hollywood’s Most Venerable and Vilified Stars | Cannes
‘Ghostlight’ Review: Two Households Both Aim for Dignity in Cathartic Shakespearean Dramedy | Chicago Critics Film Festival
‘Good One’ Review: India Donaldson’s Feature Debut is a Profound and Big-Hearted Triumph | Chicago Critics Film Festival
‘Kingdom of the Planet of the Apes’ Review: Owen Teague and the VFX work highlight Wes Ball’s Action-Packed Installment
‘Dandelion’ Review: KiKi Layne is Electric in Wilted Story of a Musician’s Journey | Chicago Critics Film Festival
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW