Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001) 
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM) 
2027 Oscar Predictions: SUPPORTING ACTOR (May) 
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’ 
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin 
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool 
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW] 
2027 Oscar Predictions: BEST ACTRESS (May) 
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin 
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool 
2025 Un Certain Regard Winners: ‘The Mysterious Gaze of the Flamingo,’ ‘Urchin’ and More – Cannes
The 1980s Chilean AIDS surrealist drama The Mysterious Gaze of the Flamingo has won the top award from the Un Certain Regard section of the... Read More
Other
‘Highest 2 Lowest’ Review: Spike Lee Reunites with Denzel Washington and Scores a Smash Hit with His Kurosawa Reinterpretation [B+] Cannes
“It’s a reinterpretation – not a remake!” This is what Spike Lee said back in September 2024 about his latest joint Highest 2 Lowest, inspired... Read More
‘It Was Just an Accident’ Review: Jafar Panahi Gives Human Answers to Complex Moral Conundrums [B] Cannes
Each new film by Jafar Panahi feels like a blessing, especially since the Iranian filmmaker has been subject to prison, house arrests, travel and work... Read More
‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes
Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with... Read More
‘Sentimental Value’ Review: Joachim Trier Constructs a Searing, Tender Family Drama [A] Cannes
Growing up in an old house means getting used to its little idiosyncrasies, just as you would with any other family member. It’s the one... Read More
‘Die My Love’ Review: Jennifer Lawrence is Grace Under Fire in the Best Performance of her Career [A] Cannes
From the opening frame of Lynne Ramsay’s fifth feature film, Die My Love, we see a house in shambles. A once promising place full of... Read More
‘Woman and Child’ Review: Saeed Roustaee’s Iranian Mother Melodrama Finds a Family Torn Part [A-] Cannes
In spite of Iran’s excessively punitive stifling of artistic expression, its filmmakers continue to knock it out of the park even at the risk of... Read More
‘Alpha’ Review: Julia Ducournau’s AIDS Allegory Crumbles Under the Weight of its Repetitive Self-Importance [D-] Cannes
Four years ago, a tidal wave hit cinema with Julia Ducournau’s second feature film, Titane. Winner of the Palme d’Or at the 2021 Cannes Film... Read More
Director Watch Podcast Ep. 100 – ‘The Lord of the Rings: The Two Towers’ (Peter Jackson, 2002)
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Light the Fuse: Ranking the ‘Mission: Impossible’ Franchise
For nearly thirty years, audiences around the world have watched one man accept impossible missions while performing ridiculous stunts to save the world from a... Read More
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001) 
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM) 
2027 Oscar Predictions: SUPPORTING ACTOR (May) 
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’