AwardsWatch

Interview: Nicholas Galitzine on Newfound Fame, Gratitude, Prince Henry and Everything ‘Red, White & Royal Blue’ [VIDEO]

Interviews (TV)

Interview: Nicholas Galitzine on Newfound Fame, Gratitude, Prince Henry and Everything ‘Red, White & Royal Blue’ [VIDEO]

Landon Johnson May 20, 2024

Amidst the whirlwind of success surrounding Amazon’s Red, White & Royal Blue, I caught up with Nicholas Galitzine, who graciously offered insights into navigating newfound... Read More

Interview: Taylor Zakhar Perez on Latin Representation, the Wedding Cake and Baring All in ‘Red, White & Royal Blue’ [VIDEO]

Interviews (TV)

Interview: Taylor Zakhar Perez on Latin Representation, the Wedding Cake and Baring All in ‘Red, White & Royal Blue’ [VIDEO]

Daniel Bayer May 20, 2024

Taylor Zakhar Perez does not take his status as a celebrity lightly. “I’m a blue collar kid in an extraordinary circumstance in Los Angeles,” much... Read More

‘Horizon: An American Saga – Chapter 1’ Review: Kevin Costner’s Meandering Western Epic is a Cowboy in Search of a Herd | Cannes

Martin Tsai May 20, 2024

Kevin Costner’s first major artistic undertaking since his career boom courtesy of the blockbuster TV series Yellowstone, Horizon: An American Saga, the opening chapter of... Read More

AwardsWatch Podcast Ep. 232: Reviewing ‘Babes’ and Updated 2024 Emmy Predictions

Ryan McQuade May 20, 2024

On episode 232 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch TV Editor Tyler Doster to discuss NEON’s latest film, Babes,... Read More

‘Emilia Pérez’ Review: Zoe Saldaña, Selena Gomez and Karla Sofía Gascón are Sensational in Delightfully Unhinged Jacques Audiard Musical | Cannes

Ali Benzekri May 19, 2024

It is hard to put Jacques Audiard in one mold. The French director keeps tackling different genres without ever giving you a hint of what... Read More

‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes

Ben Rolph May 19, 2024

Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire at the 2019 Cannes Film Festival. Since then Merlant has... Read More

‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes

Savina Petkova May 19, 2024

A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More

‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes

Iana Murray May 18, 2024

Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in the World in 2021, the... Read More

‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes

Savina Petkova May 18, 2024

Remember the myriad of ways Queen Anne demanded affection from her court in Yorgos Lanthimos’ The Favourite? At one point, Lady Sarah exclaims that “love... Read More

‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes

Ali Benzekri May 18, 2024

Romanian cinema has carved a significant niche in international film topography through its strong ties with the Festival de Cannes. Renowned filmmakers such as Cristian... Read More

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