A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More
Other
Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in the World in 2021, the... Read More
Remember the myriad of ways Queen Anne demanded affection from her court in Yorgos Lanthimos’ The Favourite? At one point, Lady Sarah exclaims that “love... Read More
Romanian cinema has carved a significant niche in international film topography through its strong ties with the Festival de Cannes. Renowned filmmakers such as Cristian... Read More
The idea of a prequel is one that has always baffled me. Why does this need to exist? Why do creatives want to go backwards... Read More
With a Tony Award (for Hamilton) and Grammy Award (also Hamilton), not to mention a pair of Oscar nominations (both for One Night in Miami…)... Read More
FX confirmed yesterday that it has plans on moving forward with Shōgun as a drama series and hopes for two more seasons, definitively renewing the... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
To say that films are the stuff that dreams are made of, could be true for many a title. But sometimes, resorting to a cliché... Read More
Premiering in the Cannes Classics section of the fest’s 77th edition, FAYE, Laurent Bouzereau’s documentary on Hollywood icon Faye Dunaway, is very much the standard-issue... Read More

2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes
‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes
‘Furiosa: A Mad Max Saga’ Review: George Miller’s Action-Packed Revenge Tale is a Bad to the Bone Masterpiece
2024 Tonys: Leslie Odom, Jr. (‘Purlie Victorious: A Non-Confederate Romp through the Cotton Patch’) May Join Elite Group of Tony-Winning Leading Men
2024 Emmy Predictions: ‘Shōgun’ Makes it Official with Two More Seasons Set at FX, Pushing it into Drama
Director Watch Ep. 46 – ‘Priscilla’ (Sofia Coppola, 2023)
‘Megalopolis’ Review: Coppola’s Roman Empire Hits Audacious Heights of Brilliance and Excess | Cannes
‘FAYE’ Review: Laurent Bouzereau Finds Morsels of Truth in one of Hollywood’s Most Venerable and Vilified Stars | Cannes
2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)