Interview: Liz Garbus recounts how she found out about her Emmy nomination for ‘The Handmaid’s Tale’
Interview: Liz Garbus recounts how she found out about her Emmy nomination for ‘The Handmaid’s Tale’
Liz Garbus’s experience finding out she was nominated is a unique one for sure. In the span of a few moments, the exceptionally talented director... Read More

2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50)
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
‘In Front of Your Face’ review: A competent but isolating drama about dread from Hong Sang-soo [Cannes Review]
20th New York Asian Film Festival announces opening film, additional titles, Ann Hui as Variety Lifetime Achievement Award recipient
See ya later, perks: HFPA bans members from accepting gifts, trips and more from studios, networks
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
NEON picks up U.S. rights to Joachim Trier’s Cannes hit ‘The Worst Person in the World’
‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]
Sony Pictures Classics acquires rights to Juho Kuosmanen’s Cannes competition title ‘Compartment No.6’
Cannes 2021: Winners for Critics’ Week, Directors’ Fortnight and Cinéfondation sections
Television Critics Association nominations: Love for ‘Ted Lasso,’ ‘Hacks’ and ‘WandaVision’ mirrors Emmys but group also rights some wrongs
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’