Army of the Dead is fine enough and delivers on its promise. Whether that makes Zack Snyder’s latest project a good movie, though, is certainly... Read More
Other
As I mentioned in my Best Actor predictions, the coronavirus bumping tons of 2020 releases to 2021 has presented itself with an overabundance for a... Read More
NBC announced today that it will not air the 79th Golden Globe Awards in 2022 and look to 2023 if the Hollywood Foreign Press Association... Read More
Australian-born actor/writer/producer/director Joel Edgerton has amassed an impressive canon of films and television in his 25+ year career. To larger audiences he’s probably most well... Read More
Listen to the Official Cruella Playlist, with signature hits featured in the film here Multi-platinum and global award-winning artist Florence + The Machine, is set to... Read More
Nothing comes as expected in The Killing of Two Lovers, the new film from writer/director Robert Machoian (God Bless the Child). That includes the title,... Read More
The best way to describe this week’s episode of Mare of Easttown is laying the groundwork. While the first three episodes were certainly intense, tonight was... Read More
It’s been 23 years since Guy Ritchie helped launch Jason Statham as a reliable action-thriller star in 1998 with Lock, Stock and Two Smoking Barrels.... Read More
If you knew that the number of photos you could take on your phone on any given day was limited, and that instead of deleting... Read More
Tom Skerritt has been one of the most consistent and versatile actors working in Hollywood for over three decades. Skerritt got his start working in... Read More

26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
41st Film Independent Spirit Awards: ‘Train Dreams’ Takes Best Feature, Director; ‘Adolescence’ Sweeps TV Wins
Make-Up Artists & Hair Stylists Guild (MUAH) Awards: ‘Frankenstein, ‘One Battle After Another,’ ‘Sinners’ Take Top Wins
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
‘Army of the Dead’ review: Its snark is worse than its bite
2022 Oscar Predictions: SUPPORTING ACTOR (May)
NBC nixes 2022 Golden Globes; HFPA sets reform timeline
Interview: Joel Edgerton on ‘The Underground Railroad’ and stalking Barry Jenkins
Florence + The Machine to perform original song for Disney’s ‘Cruella’
‘The Killing of Two Lovers’ review: Clayne Crawford and Sepideh Moafi are remarkable in Robert Machoian’s satisfying psychological thriller
‘Mare of Easttown’ recap: Episode 4 – “Poor Sisyphus”
‘Wrath of Man’ review: Jason Statham and Guy Ritchie are back to their old action flick tricks
New Directors/New Films Festival review: In ‘Short Vacation,’ the end of the world is just the beginning
Interview: Veteran actor Tom Skerritt talks about his newest film, ‘East of the Mountains’
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale