Film Editing in never an easy category when one of the Best Picture frontrunners isn’t nominated here but it’s not like it hasn’t happened before.... Read More
Other
Let’s not waste any time. It’s 1917. Here are my ranked Final Oscar predictions in Cinematography with a chart of a decade of related precursors... Read More
The last the combo of Critics Choice and ADG (Period) only went to the Oscars (2012’s Anna Karenina) it lost. That wouldn’t bode well for... Read More
A tight race and it’s most likely between BAFTA winner Little Women and Costume Design Guild winner Jojo Rabbit. These two films are going tooth... Read More
The international group chose outside the box winner like Vitalina Varela for Best Actress and eclectic doc Just Don’t Think I’ll Scream in three categories... Read More
Much like Thomas Newman in Original Score, we have another double digit nominee here in Original Song that’s never won: Diane Warren, who earned her... Read More
It’s going to happen again. Thomas Newman, a 15-time Oscar nominee (14 for Score, one for Song) is going to lose Original Score for a... Read More
1917 or Ford v Ferrari? 1917 and Ford v Ferrari? The Sound categories, editing and mixing, could go a few ways. 1917 will take both,... Read More
Parasite was named Best Picture by the Online Film and Television Association (OFTA) and led the field with seven wins overall. 1917 was next with... Read More
Boy oh boy, do we have a race here. Since the inception of the Animated Feature Oscar only one sequel has ever won – Toy... Read More

On the Shelf: ‘Highest 2 Lowest,’ ‘John Singleton’s Hood Trilogy,’ a Nancy Meyers Double Feature and Action-Packed Spectacles Highlight the Physical Media releases for the Week of April 27
Director Watch Podcast Ep. 151 – ‘The Annihilation of Fish’ (Burnett, 1999)
2026 San Francisco International Film Festival Reviews: ‘Two Pianos,’ ‘If I Go Will They Miss Me,’ ‘Filipiñana,’ ‘Elder Son’ [SFFILM]
‘Idiots’ Review: Dave Franco and O’Shea Jackson Jr. Don’t Feel at Home in This World Anymore [B] Atlanta Film Festival
Ildikó Enyedi’s ‘Silent Friend’ Among 2026 SFFILM Honorees of the Sloan Science in Cinema Initiative
How Badie Ali and Watermelon Pictures are Decolonizing the Film Industry [INTERVIEW]
Olivia Wilde Takes San Francisco by Storm with ‘The Invite’ [Q&A]
Isa Briones Reminisces on Her Two Seasons of ‘The Pitt’ and What She Sees for Santos in the Future [VIDEO INTERVIEW]
On the Shelf: ‘Highest 2 Lowest,’ ‘John Singleton’s Hood Trilogy,’ a Nancy Meyers Double Feature and Action-Packed Spectacles Highlight the Physical Media releases for the Week of April 27
2026 Las Culturistas Culture Awards Hosted by Bowen Yang and Matt Rogers to Air on Bravo and Peacock in June
Final 2020 Oscar Predictions – FILM EDITING
Final 2020 Oscar Predictions – CINEMATOGRAPHY
Final 2020 Oscar Predictions – PRODUCTION DESIGN
Final 2020 Oscar Predictions – COSTUME DESIGN
17th International Cinephile Society (ICS) awards: ‘Pain and Glory’ named Best Picture
Final 2020 Oscar Predictions – ORIGINAL SONG
Final 2020 Oscar Predictions – ORIGINAL SCORE
Final 2020 Oscar Predictions – SOUND EDITING and SOUND MIXING
‘Parasite’ to Online Film and Television Association (OFTA) winners
Final 2020 Oscar Predictions – ANIMATED FEATURE
Director Watch Podcast Ep. 151 – ‘The Annihilation of Fish’ (Burnett, 1999)
2026 San Francisco International Film Festival Reviews: ‘Two Pianos,’ ‘If I Go Will They Miss Me,’ ‘Filipiñana,’ ‘Elder Son’ [SFFILM]
‘Idiots’ Review: Dave Franco and O’Shea Jackson Jr. Don’t Feel at Home in This World Anymore [B] Atlanta Film Festival