The first night of the Creative Arts Emmy Awards went in hard for the Free Solo and Carpool Karaoke tonight with the former making a... Read More
Other
Halina Reijn’s debut feature is an explosive and subversive tale for the #Metoo era In her feature debut, which will represent the Netherlands in this... Read More
In 2001, Lord of the Rings: The Fellowship of the Ring made its way to theaters. It was the first of a groundbreaking trilogy as... Read More
Oualid Mouaness’ debut feature is an uneven story about love in the middle of war Making his feature debut after a successful career in directing... Read More
Feras Fayyad’s new doc is a heartbreaking but hopeful story of how resilience can overcome suffering In his much-anticipated follow-up to his Oscar-nominated LAST MEN... Read More
Tom Harper’s epic film is a mixed bag of elegance and emptiness Following his well-received Wild Rose, Tom Harper goes for a more epic adventure... Read More
Kasi Lemmons’ latest is a disappointing, uninspired biopic that fails to engage and whose subject deserves better Just because a film is about one of... Read More
ALL WINNING FILMS NOW ELIGIBLE FOR OSCARS The Academy has voted 16 students as winners of the 46th Student Academy Awards competition. This year, the Student... Read More
Kazik Radwanski’s Anne at 13,000 ft and Alice Winocour’s Proxima receive honorable mentions Today the Toronto International Film Festival announced the winner of the 2019... Read More
Early September weekends are traditionally a no-man’s-land for breakout openers, unless you’re delivering relatively cheap thrills (the IT and Resident Evil movies, Screen Gems thrillers like The Perfect Guy and No Good... Read More

American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW
SXSW 2026 Reviews: ‘Wishful Thinking,’ ‘The Sun Never Sets,’ ‘Obsession’
‘Pretty Lethal’ Review: Vicky Jewson’s Bloody, Ballistic Ballet is Never Quite On Pointe [C] SXSW
Frameline Announces 2026 Completion Fund Grantees Ahead of 50th LGBTQ+ Festival
SXSW 2026 Reviews: ‘Ready or Not 2: Here I Come,’ ‘Over Your Dead Body,’ ‘Power Ballad’
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
Creative Arts Emmy Awards go for Free Solo and Carpool Karaoke; Rachel Bloom wins 1st Emmy; RuPaul wins 4th in a row
Toronto Review: Carice van Houten is stunning in the provocative Oscar contender ‘Instinct’
Is ‘Game of Thrones’ the ‘Lord of the Rings: Return of the King’ of the 2019 Emmys?
Toronto Review: Coming-of-age during wartime love story ‘1982’ is well-intentioned but doesn’t quite gel
Toronto Review: ‘The Cave,’ a chilling but hopeful tale of female resilience
Toronto Review: ‘The Aeronauts’ is well-crafted with a winning performance by Felicity Jones
Toronto Review: Not even Cynthia Erivo’s performance can save the deeply formulaic ‘Harriet’
Academy reveals 2019 Student Academy Award winners
2019 TIFF: ‘Martin Eden’ wins Platform Prize; ‘Murmur,’ ‘How to Build a Girl’ win FIPRESCI
Box Office Preview and Predictions: ‘Hustlers’ aims for record opening for JLo, STX
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW