[divider style=”normal” top=”20″ bottom=”20″] Lara is 15 going on 16 trans girl with dreams of being a professional ballerina in Lukas Dhont’s touching and humane... Read More
Other
[divider style=”normal” top=”20″ bottom=”20″] Gaya Jiji’s directorial debut MY FAVORITE FABRIC is an undercooked, lacking melodrama that takes points for being one of the rare... Read More
One of the most commercial and straightforward films of his career, Jia Zhang-ke’s ASH IS PUREST WHITE is accessible but not superficial, entertaining but never... Read More
[divider style=”normal” top=”20″ bottom=”20″] Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful,... Read More
Survival films can go either way: they can be engaging viewing experiences that expand their scope beyond their basic premise or can be slogs that... Read More
Pawel Pawlikowski’s COLD WAR is one of those films that you can respect but not outright love. Beautifully made but far more slight and bleaker... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rafiki director Wanuri Kahiu comes from a line of strong, forward-thinking women. Her mother, a doctor, was one of the first... Read More
[divider style=”normal” top=”20″ bottom=”20″] Ryan Coogler is the king. Of box office, that is. When his adaptation of the Marvel’s Black Panther comic book series... Read More
LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious... Read More
[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More

2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
Online Association of Female Film Critics (OAFFC): Eva Victor Dominates with Five Nominations for ‘Sorry, Baby’
2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM (December)
The Oscars Move to YouTube Beginning in 2029
Chloé Zhao, NiaDaCosta, Geeta Gandbhir to Receive Honors at 2026 Sundance Institute Fundraiser
Dallas-Fort Worth Film Critics Association (DFWFCA): ‘One Battle After Another’ Wins 5
Society of Composers & Lyricists Awards: Ludwig Göransson (‘Sinners’) and Diane Warren (“Dear Me”) Lead Nominations
International Press Academy Satellite Awards Nominations: ‘Sinners,’ One Battle After Another,’ ‘Hamnet’ Lead
The Oscars Move to YouTube Beginning in 2029
Chloé Zhao, NiaDaCosta, Geeta Gandbhir to Receive Honors at 2026 Sundance Institute Fundraiser
2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM (December)
2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND (December)
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2026 Oscar Predictions: SUPPORTING ACTOR (December)
2026 Oscar Predictions: SUPPORTING ACTRESS (December)
2026 Oscar Predictions: BEST ACTOR (December)
2026 Oscar Predictions: BEST ACTRESS (December)
Cannes Review: ‘Girl,’ the deeply humane debut from Lukas Dhont
Cannes Review: Gaya Jiji’s glacially paced tale of sexual repression ‘My Favorite Fabric’
Cannes Review: Zhao Tao is a Best Actress Contender in ‘Ash is Purest White’ from Jia Zhang-ke
Cannes Review: ‘Border,’ Ali Abbasi’s thrilling supernatural gothic romance
Cannes Review: Mads Mikkelsen burns up the screen in icy ‘Arctic’
Cannes Review: Pawel Pawlikowski’s bleak and beautiful ‘Cold War’
Cannes Interview: Wanuri Kahiu on her film Rafiki and the future of African cinema
Ryan Coogler Talk Highlights Importance of Visibility and the Business of Filmmaking
Annapurna sets Spring 2019 release for LAIKA’s ‘Missing Link’
Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal
Online Association of Female Film Critics (OAFFC): Eva Victor Dominates with Five Nominations for ‘Sorry, Baby’