[divider style=”normal” top=”20″ bottom=”20″] Ryan Coogler is the king. Of box office, that is. When his adaptation of the Marvel’s Black Panther comic book series... Read More
Other
LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious... Read More
[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More
Kirill Serebrennikov’s LETO is a tribute to music, dreams of youth and the power – and beauty of ambition. Despite a masterful and at times... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rarely do debut features play in competition at Cannes. In fact, of the debut features that played in the festival’s most... Read More
[divider style=”normal” top=”20″ bottom=”20″] Kena, short for Makena (played by Samantha Mugatsia) lives in the Slopes district of Nairobi, Kenya with her at-home mom and... Read More
In his follow-up to the Oscar-nominated EMBRACE OF THE SERPENT, Colombian director Ciro Guerra teams up with director Cristina Gallego to deliver a remarkable feature about... Read More
[divider style=”normal” top=”20″ bottom=”20″] Everybody Knows opens in an aging bell and clock tower of a quiet Spanish town. There are names of teenage paramours... Read More
The 2018 Cannes Film Festival is this week and this page will be your updated Cannes at a Glance featuring links to reviews from myself... Read More
In this very first AwardsWatch Cannes Podcast, I am joined by Aaron Locke, who will be attending the festival for the first time. This will... Read More

FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
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FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
Ryan Coogler Talk Highlights Importance of Visibility and the Business of Filmmaking
Annapurna sets Spring 2019 release for LAIKA’s ‘Missing Link’
Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal
Cannes Review: Kirill Serebrennikov’s arthouse crowdpleaser ‘Leto’
Cannes Review: A.B. Shawky’s gripping and emotional debut ‘Yomeddine’
Cannes Review: Wanuri Kahiu’s touching if familiar lesbian romance ‘Rafiki’
Cannes Review: Ciro Guerra and Cristina Gallego’s immersive and unforgettable ‘Birds of Passage’
Cannes Review: Asghar Farhadi’s ‘Everybody Knows’ is too safe and too slow to engage
2018 Cannes at a Glance
Cannes Podcast #1: Festival preview with guest Aaron Locke
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’