AwardsWatch

Cannes Interview: Wanuri Kahiu on her film Rafiki and the future of African cinema

Erik Anderson May 11, 2018

[divider style=”normal” top=”20″ bottom=”20″] Rafiki director Wanuri Kahiu comes from a line of strong, forward-thinking women. Her mother, a doctor, was one of the first... Read More

Ryan Coogler Talk Highlights Importance of Visibility and the Business of Filmmaking

Erik Anderson May 11, 2018

[divider style=”normal” top=”20″ bottom=”20″] Ryan Coogler is the king. Of box office, that is. When his adaptation of the Marvel’s Black Panther comic book series... Read More

Annapurna sets Spring 2019 release for LAIKA’s ‘Missing Link’

Erik Anderson May 10, 2018

LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious... Read More

Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal

Erik Anderson May 10, 2018

[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More

Cannes Review: Kirill Serebrennikov’s arthouse crowdpleaser ‘Leto’

Mina Takla May 10, 2018

Kirill Serebrennikov’s LETO is a tribute to music, dreams of youth and the power – and beauty of ambition. Despite a masterful and at times... Read More

Cannes Review: A.B. Shawky’s gripping and emotional debut ‘Yomeddine’

Mina Takla May 9, 2018

[divider style=”normal” top=”20″ bottom=”20″] Rarely do debut features play in competition at Cannes. In fact, of the debut features that played in the festival’s most... Read More

Cannes Review: Wanuri Kahiu’s touching if familiar lesbian romance ‘Rafiki’

Erik Anderson May 9, 2018

[divider style=”normal” top=”20″ bottom=”20″] Kena, short for Makena (played by Samantha Mugatsia) lives in the Slopes district of Nairobi, Kenya with her at-home mom and... Read More

Cannes Review: Ciro Guerra and Cristina Gallego’s immersive and unforgettable ‘Birds of Passage’

Mina Takla May 9, 2018

In his follow-up to the Oscar-nominated EMBRACE OF THE SERPENT, Colombian director Ciro Guerra teams up with director Cristina Gallego to deliver a remarkable feature about... Read More

Cannes Review: Asghar Farhadi’s ‘Everybody Knows’ is too safe and too slow to engage

Erik Anderson May 8, 2018

[divider style=”normal” top=”20″ bottom=”20″] Everybody Knows opens in an aging bell and clock tower of a quiet Spanish town. There are names of teenage paramours... Read More