FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN 
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry 
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS 
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley 
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars 
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations 
Denver Film Critics Society (DFCS) Nominations 
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign 
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley 
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12 
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN 
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS 
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY 
FINAL 2026 Oscar Predictions: BEST CASTING 
FINAL 2026 Oscar Predictions: ANIMATED FEATURE 
2026 Oscar Predictions: ANIMATED FEATURE (December) 
2026 Oscar Predictions: BEST CASTING (December) 
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December) 
Seattle Film Critics Society Nominations: Moonlight, La La Land Lead with 10; 13TH, The Witch in Best Picture
[divider style=”solid” top=”20″ bottom=”20″] Moonlight and La La Land have earned 10 nominations apiece from theSeattle Film Critics Society, tying for the most of any film... Read More
Other
Nevada Film Critics Society (NFCS) Go Deep on Hell or High Water, 20th Century Women Rebounds
[divider style=”solid” top=”20″ bottom=”20″] The Nevada Film Critics Society (NFCS) found a lot to like about Hell or High Water. So much so that they... Read More
Black Film Critics Circle Awards Moonlight Best Film, Director; Fences Wins Actor, Supporting Actress
[divider style=”solid” top=”20″ bottom=”20″] The Black Film Critics Circle have chosen Moonlight as the Best Film of 2016 as well as Director, Supporting Actor (Mahershala Ali),... Read More
Phoenix Film Critics Society Loves La La Land, Hacksaw Ridge, Hell or High Water
[divider style=”solid” top=”20″ bottom=”20″] The Phoenix Film Critics Society (not to be confused with the Phoenix Critics Circle) has chosen La La Land as their... Read More
2017 Oscar Predictions: The Post-Critics’ Awards Boom
[divider style=”solid” top=”20″ bottom=”20″] As we inch closer to the 2017 Oscar nominations (just a month away) we’ll be ramping up the predictions to reflect... Read More
Manchester by the Sea Sweeps Vancouver Film Critics Circle Awards
[divider style=”solid” top=”20″ bottom=”20″] Manchester by the Sea dominated the winners of the Vancouver Film Critics Circle Awards, winning five of the six categories it... Read More
Love & Friendship, Moonlight Lead London Film Critics Circle Nominations
[divider style=”solid” top=”20″ bottom=”20″] Two films, one very under-awarded this season and one the awards leader this season, have topped the London Film Critics nominations... Read More
Alliance of Women Film Journalists EDA Nominations
[divider style=”solid” top=”20″ bottom=”20″] The Alliance of Women Film Journalists is pleased to announce the nominees for the 2016 AWFJ EDA Awards. In our 10th... Read More
Detroit Film Critics Society Loves La La Land, Emma Stone, Casey Affleck and 20th Century Women
[divider style=”solid” top=”20″ bottom=”20″] The Detroit Film Critics Society has announced their winners for 2016. La La Land picked up their top award along with... Read More
Indiana Film Journalists Association (IFJA) Chooses Moonlight for Best Film, Rebecca Hall for Best Actress
[divider style=”solid” top=”20″ bottom=”20″] Moonlight has been named the Best Film of 2016 by the Indiana Film Journalists Association (IFJA). The drama won a total of... Read More
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry