FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN 
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry 
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS 
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley 
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars 
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations 
Denver Film Critics Society (DFCS) Nominations 
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign 
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley 
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12 
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN 
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS 
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY 
FINAL 2026 Oscar Predictions: BEST CASTING 
FINAL 2026 Oscar Predictions: ANIMATED FEATURE 
2026 Oscar Predictions: ANIMATED FEATURE (December) 
2026 Oscar Predictions: BEST CASTING (December) 
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December) 
Screen Actors Guild (SAG) Nominations – FILM: La La Land Snubbed! Captain is Fantastic
[divider style=”solid” top=”20″ bottom=”20″] As always, the Screen Actors Guild Award nominations provided us with some juicy head-scratching fodder. Right off the top, in the... Read More
Other
2017 Oscars: What’s Making the Foreign Language Film Shortlist?
[divider style=”solid” top=”20″ bottom=”20″] The shortlist of nine films that will be in the running for the five spots at the Oscars is announcing tomorrow... Read More
2017 Oscars: 145 Original Score Eligible for the Oscar: Arrival, Silence, Manchester by the Sea No Shows
[divider style=”solid” top=”20″ bottom=”20″] The Academy of Motion Picture Arts and Sciences today announced that 145 scores from eligible feature-length motion pictures released in 2016... Read More
2017 Oscars: 91 Original Songs Vie for the Academy Award
[divider style=”solid” top=”20″ bottom=”20″] LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced that 91 songs from eligible feature-length motion... Read More
Arrival, Hell or High Water, La La Land, Manchester and Moonlight Score Phoenix Critics Circle Nominations
[divider style=”solid” top=”20″ bottom=”20″] The Phoenix Critics Circle (not the Phoenix Film Critics Society) have announced their nominations for the best in film for 2016. The... Read More
48th NAACP Image Award Nominations: The re-Birth of a Nation; Beyoncé and Moonlight Lead
[divider style=”solid” top=”20″ bottom=”20″] After becoming awards’ season’s pariah, Nate Parker and his The Birth of a Nation had a bit of a re-birth today... Read More
Screen Actors Guild (SAG) Predictions – FILM
Trying to predict the Screen Actors Guild award nominations is a lot like the photo of the group’s statue above; the comic smiling face and... Read More
Dallas-Fort Worth Film Critics Association (DFWFCA) Choose Moonlight for Best Picture
[divider style=”solid” top=”20″ bottom=”20″] The Dallas-Fort Worth Film Critics Association voted the intimate drama MOONLIGHT as the best film of 2016, according to the results... Read More
Elyse Hollander’s Madonna Biopic ‘Blond Ambition’ Tops 2016 Black List
[divider style=”solid” top=”20″ bottom=”20″] Elyse Hollander’s “Blond Ambition” screenplay about Madonna’s first album topped the 2016 Black List. What is the Black List, you might... Read More
San Diego Film Critics Society Winners: Hell or High Water Rises
Best Picture: HELL OR HIGH WATER Runner Up: LA LA LAND Best Director: David Mackenzie, HELL OR HIGH WATER Runner Up: Damien Chazelle, LA LA LAND Best Actor,... Read More
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry