Bong Joon-Ho’s Parasite (South Korea), a piercing social class commentary, has won the 2019 Cannes Film Festival’s Palme d’Or. Jury president Alejandro González Iñárritu called... Read More
2019 cannes
Elia Suleiman’s latest is a dryly comedic essay film on the Palestinian identity In the same vein as his previous films, but perhaps less structured... Read More
It’s not without its blemishes, but by combining breakthrough lead performances, accomplished cinematography, hilarious sight gags and pitch-perfect, farcical dialogue, Michael Angelo Covino’s re-invention of... Read More
Lorenzo Mattotti’s debut animated feature is an animated feast for the eyes In his first animated feature, Lorenzo Mattoti delivers one of the most beautiful... Read More
The Short Films and Cinéfondation Jury headed by Claire Denis and including Stacy Martin, Eran Kolirin, Panos H. Koutras and Cătălin Mitulescu, has awarded the... Read More
Xavier Dolan’s latest is cluttered, uneven but well-intentioned film about repressed love In his follow-up to a string of negatively received films (It Must Be... Read More
Joon-ho Bong delivers the best film of the Cannes Film Festival so far Known for his genre-twisting work, Joon-ho Bong is a director that never... Read More
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of his most nuanced, poignant and entertaining films to date, Quentin... Read More
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement? Or is it his way of being woke to the... Read More
The world premiere of Quentin Tarantino’s 9th film, Once Upon a Time…in Hollywood is happening at the Cannes Film Festival today and just ahead of... Read More

2019 Cannes Film Festival Awards: Bong Joon-Ho’s ‘Parasite’ wins Palme d’Or
Cannes Review: Elia Suleiman’s ‘It Must Be Heaven,’ is a political and sometimes brilliant meta commentary on Palestine identity
Cannes Review: Michael Angelo Covino’s ‘The Climb’ is pitch-perfect buddy comedy
Cannes Review: ‘The Bears’ Famous Invasion’
2019 Cannes: Claire Denis and jury announce winners of the 22nd Cinéfondation Selection
Cannes Review: Xavier Dolan’s ‘Matthias and Maxime’ is an improvement over recent works but still lacks emotional urgency
Cannes Review: Joon-ho Bong’s ‘Parasite’ is breathtaking and heartbreaking
Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
Watch: New ‘Once Upon a Time…in Hollywood’ trailer ahead of Cannes premiere
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10