NEON picks up Cannes Directors’ Fortnight winner ‘A Chiara’
The Oscar-winning studio is behind this year’s Cannes Palme winner Titane, Jury Prize winner Memoria and Best Actress winner Renate Reinsve from The Worst Person... Read More
cannes film festival
Cannes 2021 Winners: Ties, history and a huge Spike Lee flub highlight Closing Ceremony
The winners of the 74th Cannes Film Festival were revealed tonight at the Closing Ceremony of the festival, which found a split jury, ties for... Read More
‘In Front of Your Face’ review: A competent but isolating drama about dread from Hong Sang-soo [Cannes Review]
It doesn’t become clear what In Front of Your Face is really about till pretty far in, though its sheer emotional refinement means we can... Read More
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever expect that from an Apichatpong... Read More
NEON picks up U.S. rights to Joachim Trier’s Cannes hit ‘The Worst Person in the World’
NEON announced today that it has acquired U.S. rights to The Worst Person in The World from Norwegian writer-director Joachim Trier (Reprise, Oslo, August 31st, Thelma). The film marks... Read More
‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]
What does it mean to be an American? The question reverberates throughout every frame of Blue Bayou, the new film from Ms. Purple and Gook... Read More
Sony Pictures Classics acquires rights to Juho Kuosmanen’s Cannes competition title ‘Compartment No.6’
Sony Pictures Classics announced today that they have acquired rights from Totem Films in North America, Latin America, Eastern Europe, Southeast Asia and the Middle East to Juho Kuosmanen’s Compartment No.6, produced by Jussi Rantamäki and... Read More
Writer-director Jonas Carpignano has won the Europa Cinemas Cannes Label award for best European film at Directors’ Fortnight section of the Cannes with his film... Read More
‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]
Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in Red Rocket. His latest film,... Read More
‘Titane’ review: Julia Ducournau revs up the body horror in her masterfully audacious follow-up to ‘Raw’ [Cannes Review]
How do you solve a problem like talking about Titane? Julia Ducournau’s film is best seen blind. Really, if you haven’t watched it, you should... Read More
2025 Oscar Predictions: MAKEUP & HAIRSTYLING, ORIGINAL SCORE, ORIGINAL SONG, SOUND, VISUAL EFFECTS (December) 
Interview: Director Robert Eggers (‘Nosferatu’) on the Consequences of Temptation, Training Hundreds of Rats, and Playing with Vampire Lore 
Interview: Guy Pearce on the Beauty and Violence of ‘The Brutalist’ and Van Buren’s Call to His Therapist 
2024 Dallas-Fort Worth Film Critics Association (DFWFCA) Winners: ‘Anora’ Top Film, Director, Actress