Sideshow and Janus Films announced today that they have acquired North American rights for Jerzy Skolimowski’s EO, a vision of modern Europe as seen through... Read More
cannes film festival
On episode 135 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, as well as AwardsWatch contributor Dan Bayer, as... Read More
The awards for the 75th Cannes Film Festival were handed out tonight at the festival’s annual closing ceremony, where Ruben Östlund’s capitalism satire Triangle of... Read More
The origin story of Riley Keough and Gina Gammell’s feature debut, War Pony, coincides with the production of another film, Andrea Arnold’s 2016 Cannes Jury... Read More
What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More
Lukas Dhont’s sophomore feature, Close, is a remarkably well-directed film about childhood grief in a time maybe of its greatest need. It’s a great next... Read More
Trish (Margaret Qualley) is a journalist whose press card is being revoked and her stay in Nicaragua compromised, and her way of making ends meet... Read More
A fiercely conventional biopic with all the musical analysis of a Spotify playlist, Baz Luhrmann’s Elvis is, more often than not, an affront to cinema.... Read More
Cannes favourite Hirokazu Kore-eda, who won the 2018 Palme d’Or for Shoplifters, has returned to the Cote d’Azur-set film festival with another winner, titled Broker.... Read More
Born and raised in Cornwall, England, writer-director Mark Jenkin continues to draw on his local, beloved surroundings with his sophomore film, Enys Men, which premiered... Read More

Donkey Kong: Sideshow and Janus Films saddle up for Cannes winner ‘EO’ for Fall 2022 release in North America
The AwardsWatch Podcast #135: Cannes Film Festival awards, reviewing ‘Top Gun: Maverick’ and a Tom Cruise filmography face-off
75th Cannes Film Festival award winners: Ruben Östlund’s ‘Triangle of Sadness’ wins Palme d’Or, ties abound
Cannes Review: Riley Keough and Gina Gammell’s ‘War Pony’ is a well-intended but often performative look at letting Lakota people telling their stories [Grade: B-]
Cannes Review: Paul Mescal plays a troubled father in Charlotte Wells’ delicately stunning debut, ‘Aftersun’ [Grade A-]
Cannes Review: Lukas Dhont’s ‘Close’ is a delicate coming of age tale with a miraculous debut performance from Eden Dambrine [Grade: A]
Cannes Review: Margaret Qualley and Joe Alwyn set their love ablaze in Claire Denis’ steamy Nicaragua-set romance ‘Stars at Noon’ [Grade: A]
Cannes Review: ‘Elvis’ is a terrible yet wildly entertaining biopic featuring a brilliant titular performance by Austin Butler [Grade: C+]
Cannes Review: Hirokazu Kore-eda’s ‘Broker’ is a tender story of chosen families led by a beguiling performance from Lee Ji-eun [Grade: A+]
Cannes Review: Mark Jenkin’s Cornish thriller ‘Enys Men’ is an unnerving, off-beat experimental horror unlike any other [Grade: B+]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10