Cannes Review: ‘Atlantics’ (Atlantique) is beautiful, painful and poetic
Mati Diop’s film, the first in competition feature for a black woman at Cannes, is as poetic as it is urgent Few films possess this... Read More
Cannes Film Festival
Cannes Review: ‘And Then We Danced’ is a brave, urgent and revolutionary statement
Director Levan Akin confronts Georgia’s (former USSR/Eastern Europe) conservative, moralising, antiquated attitude towards sexual freedom, the masculine tradition and gay love with an aggressive fervour.... Read More
Cannes Review: ‘Rocketman’
Dexter Fletcher’s Elton John biopic is an entertaining if imperfect film with a fantastic performance from Taron Egerton Certain to draw comparisons to worldwide box... Read More
Cannes Review take two: ‘Les Misérables’ is “one of the most timely and urgent films of the year”
Ladj Ly’s debut feature is a stunning, explosive film that is both fresh and arresting Debut films selected in competition at Cannes are rare –... Read More
Cannes Review: ‘Bull’ has good intentions but feels all too familiar
First time feature director Annie Silverstein new film Bull, will leave you with thoughts you can’t process right away. Silverstein co-wrote the script with Johnny... Read More
Ladj Ly’s supremely confident debut feature recalls the bitingly fierce critical voice of Victor Hugo’s classic novel, transplanting it into the estates and housing blocks... Read More
Cannes Review: ‘Bacurau’
For Juliano Dornelles and Kleber Mendonça Filho, Bacurau is a step down from Filho’s masterful Aquarius and a middling political epic that doesn’t fully land.... Read More
Cannes Review take 2: ‘The Dead Don’t Die’
Jim Jarmusch’s most commercial film to date marks a departure for the director but also doesn’t offer a memorable viewing experience. Some directors like to... Read More
Cannes Review: Jim Jarmusch’s ‘The Dead Don’t Die’
Much like the zombies and ghouls the heroes of The Dead Don’t Die contend with, Jim Jarmusch’s B-movie satire rises slowly, brings our attention to... Read More
Cannes Review: ‘The Unknown Saint’ (‘Le Miracle du Saint Inconnu’)
Alaa Eldin Aljem’s debut feature is the rare Arab film that not only works as a meaningful comedy but also manages to be smart, audacious... Read More
2024 Camerimage Film Festival: Danish Oscar Entry ‘The Girl With the Needle’ Wins Golden Frog 
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)