‘After Yang’ review: Kogonada’s lo-fi sci-fi is a meditative gem propelled by Colin Farrell’s most soulful performance [Cannes Review]
If Columbus was a bold attempt to resurrect slow cinema with a Gen Z-friendly storyline and progressive ideas, After Yang feels like Kogonada challenging himself... Read More
Cannes Film Festival
‘Cow’ review: Andrea Arnold’s wordless documentary movingly focalizes the humanity of animals [Cannes Review]
“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before the 2 p.m. screening of... Read More
‘The Souvenir Part II’ review: Joanna Hogg’s masterful B-Side is both a compassionate exercise on grief and a celebration of feminine rebirth [Cannes Review]
It was only two years ago that writer-director Joanna Hogg carved out a gorgeous memory piece with The Souvenir, telling a hypnotic tale of bad... Read More
‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review]
“Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious, superfluous…” It’s the thesis of... Read More
Cannes Review: ‘Portrait of a Lady on Fire’ is passionate, unconventional lesbian cinema
Céline Sciamma’s Portrait of a Lady on Fire, the romance drama set in 18th-century French high society has all the boxes checked: stunning cinematography, elegant... Read More
Cannes Review: Elia Suleiman’s ‘It Must Be Heaven,’ is a political and sometimes brilliant meta commentary on Palestine identity
Elia Suleiman’s latest is a dryly comedic essay film on the Palestinian identity In the same vein as his previous films, but perhaps less structured... Read More
Cannes Review: Marco Bellocchio’s Godfather-esque ‘The Traitor’ struggles with the duality of its style
Marco Bellocchio’s latest features a clash of cinematic styles with mixed results One of Italy’s most remarkable directors, Marco Bellocchio’s films always have a sense... Read More
Cannes Review: Michael Angelo Covino’s ‘The Climb’ is pitch-perfect buddy comedy
It’s not without its blemishes, but by combining breakthrough lead performances, accomplished cinematography, hilarious sight gags and pitch-perfect, farcical dialogue, Michael Angelo Covino’s re-invention of... Read More
Cannes Review: ‘The Bears’ Famous Invasion’
Lorenzo Mattotti’s debut animated feature is an animated feast for the eyes In his first animated feature, Lorenzo Mattoti delivers one of the most beautiful... Read More
Cannes Review: ‘Atlantique’ Puts a Creative Spin On A Tragic Love Story
Atlantique, the first feature from director Mati Diop is a cinematic puzzle worth putting together. Move all the pieces to the proper place and discover... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10