Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of his most nuanced, poignant and entertaining films to date, Quentin... Read More
Film Festivals
Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement? Or is it his way of being woke to the... Read More
Cannes Review: Ira Sachs’ ‘Frankie’ is pretty, vacant
Ira Sachs’ latest is a hollow yet picturesque film on a decaying star In his follow-up to Little Men, Ira Sachs delivers a picturesque but... Read More
Cannes Review: ‘Port Authority’ embraces diverse storytelling but is a reminder there’s a long way to go in terms who gets to tell them
I grew up slightly outside the New York City ball and vogue scene with the likes of legends like Kevin Aviance, Leiomy, Pony Blanik, and... Read More
Cannes Review: Asif Kapadia’s ‘Diego Maradona’ scores as an engrossing doc on the price of fame
Asif Kapadia’s new documentary is an engrossing portrayal of a football legend One of the most interesting documentary filmmakers working today, Asif Kapadia has built... Read More
Cannes Review: ‘The Lighthouse’ Willem Dafoe and Robert Pattinson go toe to toe in Robert Eggers’ impeccably crafted new film
Robert Eggers follows up The Witch by crafting The Lighthouse, a sublimely nightmarish tale about madness and solitude Few thrillers will draw you in and... Read More
Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a film for the ages
Terrence Malick’s latest is a magnetic, contemplative and epic film that asks big, timely questions coupled with fantastic technical credits and performances A return to... Read More
Cannes Review: ‘I Lost My Body’
Jérémy Clapin’s film is a unique, inventive if slightly undercooked, animated gem In his debut animated feature, Jérémy Clapin goes for a dark, uncompromising and... Read More
Cannes Review: ‘Pain and Glory’ is Pedro Almodóvar’s magnum opus
Pedro Almodóvar’s latest film is a masterpiece that balances the personal with the relatable How do you make a film about yourself? Perhaps the better... Read More
Cannes Review: Jessica Hausner’s ‘Little Joe’ is engaging, haunting and reflective
Jessica Hausner’s atmospheric new film is an engaging, if somewhat lacking, work Part-thriller, part-drama, Little Joe features excellent technical credits, an intriguing script but lacks... Read More
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November) 
Interview: John Lithgow on ‘Conclave’ Being a Career Highlight, Oscar Buzz and Comparing Director Edward Berger to David Lean [VIDEO]