It’s not without its blemishes, but by combining breakthrough lead performances, accomplished cinematography, hilarious sight gags and pitch-perfect, farcical dialogue, Michael Angelo Covino’s re-invention of... Read More
Film Festivals
Lorenzo Mattotti’s debut animated feature is an animated feast for the eyes In his first animated feature, Lorenzo Mattoti delivers one of the most beautiful... Read More
Atlantique, the first feature from director Mati Diop is a cinematic puzzle worth putting together. Move all the pieces to the proper place and discover... Read More
Xavier Dolan’s latest is cluttered, uneven but well-intentioned film about repressed love In his follow-up to a string of negatively received films (It Must Be... Read More
Joon-ho Bong delivers the best film of the Cannes Film Festival so far Known for his genre-twisting work, Joon-ho Bong is a director that never... Read More
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of his most nuanced, poignant and entertaining films to date, Quentin... Read More
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement? Or is it his way of being woke to the... Read More
Ira Sachs’ latest is a hollow yet picturesque film on a decaying star In his follow-up to Little Men, Ira Sachs delivers a picturesque but... Read More
I grew up slightly outside the New York City ball and vogue scene with the likes of legends like Kevin Aviance, Leiomy, Pony Blanik, and... Read More
Asif Kapadia’s new documentary is an engrossing portrayal of a football legend One of the most interesting documentary filmmakers working today, Asif Kapadia has built... Read More

Cannes Review: Michael Angelo Covino’s ‘The Climb’ is pitch-perfect buddy comedy
Cannes Review: ‘The Bears’ Famous Invasion’
Cannes Review: ‘Atlantique’ Puts a Creative Spin On A Tragic Love Story
Cannes Review: Xavier Dolan’s ‘Matthias and Maxime’ is an improvement over recent works but still lacks emotional urgency
Cannes Review: Joon-ho Bong’s ‘Parasite’ is breathtaking and heartbreaking
Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
Cannes Review: Ira Sachs’ ‘Frankie’ is pretty, vacant
Cannes Review: ‘Port Authority’ embraces diverse storytelling but is a reminder there’s a long way to go in terms who gets to tell them
Cannes Review: Asif Kapadia’s ‘Diego Maradona’ scores as an engrossing doc on the price of fame
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10