Ladj Ly’s supremely confident debut feature recalls the bitingly fierce critical voice of Victor Hugo’s classic novel, transplanting it into the estates and housing blocks... Read More
Film Festivals
For Juliano Dornelles and Kleber Mendonça Filho, Bacurau is a step down from Filho’s masterful Aquarius and a middling political epic that doesn’t fully land.... Read More
Jim Jarmusch’s most commercial film to date marks a departure for the director but also doesn’t offer a memorable viewing experience. Some directors like to... Read More
Much like the zombies and ghouls the heroes of The Dead Don’t Die contend with, Jim Jarmusch’s B-movie satire rises slowly, brings our attention to... Read More
Alaa Eldin Aljem’s debut feature is the rare Arab film that not only works as a meaningful comedy but also manages to be smart, audacious... Read More
In Nigeria, within Keats State, a Goat was arrested as an armed robbery suspect. A vigilante group apprehended the Goat with the impression that human... Read More
Coonery, buffoonery, toxic masculinity, feminism, identity, and Black lives matter are among the many themes tackled in Boots Riley’s directorial debut film Sorry To Bother... Read More
In Sam Levinson’s new film Assassination Nation, Lilly, Em, Sarah, and Bex are four teenaged high school girls so in love with themselves and obsessed... Read More
In her superb feature directorial debut, Josie Rourke casts Saoirse Ronan and Margot Robbie as rival queens who are sisters doin’ it for themselves Unapologetic... Read More
Joel Edgerton has crafted a compassionate family drama with extraordinary performances from Lucas Hedges, Nicole Kidman and Russell Crowe In Boy Erased, based on Garrard... Read More

Cannes Review: ‘Les Miserables’ is a technical marvel and a breathtaking debut
Cannes Review: ‘Bacurau’
Cannes Review take 2: ‘The Dead Don’t Die’
Cannes Review: Jim Jarmusch’s ‘The Dead Don’t Die’
Cannes Review: ‘The Unknown Saint’ (‘Le Miracle du Saint Inconnu’)
Review: ‘I Am Not a Witch’
Review: ‘Sorry to Bother You’
Review: ‘Assassination Nation’
AFI Fest Review: Saoirse Ronan and Margot Robbie Rule in ‘Mary Queen of Scots’ (★★★½)
Toronto Review: ‘Boy Erased’ (★★★½)
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes