‘The Watchers’ Review: Ishana Night Shyamalan’s Feature Debut Falls Into Its Own Trap
The idea of following in your parent’s footsteps within a profession is an idea that never sounded appealing to me, but one can understand why... Read More
Film Reviews
‘Bad Boys: Ride or Die’ Review – Will Smith and Martin Lawrence Find Some Fresh Fun in Newest Ride
When the pandemic shuttered theaters in early 2020, Bad Boys for Life was a surprise box office hit and would wind up being the highest-grossing... Read More
‘Young Woman and the Sea’ Review: Daisy Ridley Embodies Triumph and Tenacity as History-Making Swimmer Trudy Ederle
Daisy Ridley makes a triumphant return to the big screen, trading her vigilante hat in The Marsh King’s Daughter for a swim cap in a... Read More
‘To Live, To Die, To Live Again’ Review: Gaël Morel’s AIDS-era Drama Doesn’t Break New Ground but Doesn’t Need to Either | Cannes
Can you believe it’s been about a decade since the last major film that addressed HIV and AIDS? For a long while the theme dominated... Read More
‘The Dead Don’t Hurt’ Review: Vicky Krieps Rides High in Viggo Mortensen’s Slow, Sparse Western
The Western is a tricky genre to fully define. Whereas horror movies have to have scares and musicals have to have songs, it’s not always... Read More
‘To a Land Unknown’ Review: Mahdi Fleifel’s Thriller about Stranded Palestinian Refugees is Powerful and Unpretentious | Cannes
Mahdi Fleifel’s directorial debut in fiction, To a Land Unknown, follows the harrowing journey of Chatila (Mahmood Bakri) and Reda (Aram Sabbah), two Palestinian cousins... Read More
‘Bird’ Review: Andrea Arnold’s Fable is Salvation in Pure Cinematic Form | Cannes
British filmmaker Andrea Arnold has always been interested in humans: the way they live, love, and carry their wounds through a world that is not... Read More
‘Baby’ Review: Marcelo Caetano’s Coming of Age Story is a Thoughtful Look at Predatory Power | Cannes
Cannes Critics’ Week selection Baby tells the heartbreaking coming-of-age story of a young man desperately in search of a father figure and systematically failed by... Read More
‘All We Imagine as Light’ Review: Mumbai Comes Alive in Payal Kapadia’s Complex ‘Little Women’-esque Portrait of Sisterhood | Cannes
Mumbai is alive in Payal Kapadia’s stunning second feature All We Imagine as Light. It’s a boundless shape-shifter, always moving its millions of disparate parts,... Read More
‘Misericordia’ Review: Alain Guiraudie’s Mines Comedy and Melodrama in Tale of Repression and Loneliness | Cannes
Stranger by the Lake writer-director Alain Guiraudie remixes his favorite themes – loneliness, longing, unrequited love, obsession, secret, crime, coverup – once again in his... Read More
2027 Oscar Predictions: BEST ACTRESS (May) 
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50) 
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’ 
Winners Announced for Golden Gate, Audience Awards of the 69th San Francisco International Film Festival (SFFILM)