[divider style=”normal” top=”20″ bottom=”20″] Spike Lee, I doubt anyone would argue, has paved the way for the likes of John Singleton, Ava DuVernay, Dee Rees... Read More
Other
20th Century Fox must be feeling pretty good about its Freddie Mercury biopic starring Rami Malek because the film’s poster dropped today along with a... Read More
[divider style=”normal” top=”20″ bottom=”20″] The first hour of Alice Rohrwacher’s third feature Lazzaro Felice (Happy as Lazzaro) are as languidly paced as a film could be.... Read More
[divider style=”normal” top=”20″ bottom=”20″] Lara is 15 going on 16 trans girl with dreams of being a professional ballerina in Lukas Dhont’s touching and humane... Read More
[divider style=”normal” top=”20″ bottom=”20″] Gaya Jiji’s directorial debut MY FAVORITE FABRIC is an undercooked, lacking melodrama that takes points for being one of the rare... Read More
One of the most commercial and straightforward films of his career, Jia Zhang-ke’s ASH IS PUREST WHITE is accessible but not superficial, entertaining but never... Read More
[divider style=”normal” top=”20″ bottom=”20″] Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful,... Read More
Survival films can go either way: they can be engaging viewing experiences that expand their scope beyond their basic premise or can be slogs that... Read More
Pawel Pawlikowski’s COLD WAR is one of those films that you can respect but not outright love. Beautifully made but far more slight and bleaker... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rafiki director Wanuri Kahiu comes from a line of strong, forward-thinking women. Her mother, a doctor, was one of the first... Read More

FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
Cannes Review: ‘BlacKkKlansman’ is Spike Lee’s best film in over a decade
‘Bohemian Rhapsody’ poster and first look
Cannes Review: Alice Rohrwacher’s ‘Lazzaro Felice’ is one of the fest’s best
Cannes Review: ‘Girl,’ the deeply humane debut from Lukas Dhont
Cannes Review: Gaya Jiji’s glacially paced tale of sexual repression ‘My Favorite Fabric’
Cannes Review: Zhao Tao is a Best Actress Contender in ‘Ash is Purest White’ from Jia Zhang-ke
Cannes Review: ‘Border,’ Ali Abbasi’s thrilling supernatural gothic romance
Cannes Review: Mads Mikkelsen burns up the screen in icy ‘Arctic’
Cannes Review: Pawel Pawlikowski’s bleak and beautiful ‘Cold War’
Cannes Interview: Wanuri Kahiu on her film Rafiki and the future of African cinema
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’