Almost 25 years later David Moreton’s pitch perfect, queer classic still cuts deep In the summer of 2009, no more perfect a film could have... Read More
Film Reviews
What can one really say about Steven Spielberg? He’s one of the all-time greats, a once-in-a-lifetime talent. He’s commercially successful, artistically unmatched, and influential for... Read More
When one thinks of Anthony Bourdain it’s easy to fall in love with the image of a towering man who went to all corner of... Read More
There is something special about seeing a new Pixar film and experiencing the magic being presented to you within a thrilling new world. They have... Read More
In an era marked by powerful calls for increased representation across the board in Hollywood, the reception of films like Black Panther, Crazy Rich Asians,... Read More
Out of an abundance of caution, common sense, and prudence, the global pandemic forced movie studios to delay dozens, if not hundreds, of films scheduled... Read More
Representation matters. Representation has always mattered and always will matter. Gatekeepers, however, determine — and continue to determine, though in a slightly reduced amount — who receives representation and... Read More
Despite only making up three titular movies to date, the “Conjuring Universe” from Warner Bros. has so far stretched to an ever-increasing, and mostly diminishing,... Read More
After a slew of less-than-successful indie films, John Krasinski found his stride as a successful blockbuster director with A Quiet Place in 2018, mainly because... Read More
No matter how much independent film flourished in 2020, which was one of the few positive things that came out of the pandemic, we all... Read More

Retrospective: Revisiting the queer teenage heartbreak of 1998’s ‘Edge of Seventeen’
‘A.I. Artificial Intelligence’ at 20: Spielberg’s misunderstood classic takes a licking and keeps on ticking [Retrospective]
Review: ‘Roadrunner: A Film About Anthony Bourdain’ honors the legacy and vibrant spirit of a brilliant but broken soul
‘Luca’ review: Pixar’s latest shines with simple storytelling, gorgeous animation and one of the best endings Pixar has ever produced
‘In the Heights’ review: The crowd pleasing event of the summer
‘Infinite’ review: aka Uncle Mark who can recall his past lives, but for a flaccid sci-fi bore
‘In the Heights’ review: Impossible to resist and puts Latinx representation joyously front-and-center
‘The Conjuring: The Devil Made Me Do It’ review: In their third ghostly caper, the Warrens suffer from some tired rituals
‘A Quiet Place Part II’ review: Krasinski echoes the minimalist horror of ‘Part 1’ with maximum impact
‘Cruella’ review: Emma Stone’s punk rock princess makes for one of the best Disney live action films in years
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night