Cannes Review: Jim Jarmusch’s ‘The Dead Don’t Die’
Much like the zombies and ghouls the heroes of The Dead Don’t Die contend with, Jim Jarmusch’s B-movie satire rises slowly, brings our attention to... Read More
Film Reviews
Cannes Review: ‘The Unknown Saint’ (‘Le Miracle du Saint Inconnu’)
Alaa Eldin Aljem’s debut feature is the rare Arab film that not only works as a meaningful comedy but also manages to be smart, audacious... Read More
Review: Seth Rogen and Charlize Theron are perfectly calibrated in ‘Long Shot’
It’s already been a pretty strange few months for odd combos, from Cate Blanchett starring in an Eli Roth movie to Kate Beckinsale dating Pete... Read More
Review: ‘Avengers: Endgame’ is “a roaring success” (Spoiler-free)
Something I’ve learned through my years of devouring movies is that when it comes to bigger blockbusters, always have your expectations set somewhat low. This... Read More
Review: ‘Triple Frontier’
Movies have always loved the military. The elements that we instantly connect to the military, such as bravery, loyalty, brotherhood, heroism, selflessness, dedication, strength and... Read More
Review: ‘Captain Marvel’
I’ll be totally honest with you. I had never even heard of Captain Marvel before. I’m not nor have I ever been a comic book... Read More
Review: ‘Maze’ (2017)
Against the backdrop of Brexit, now may be the perfect time for movies to remind us that the British Isles have a long history of... Read More
Review: Jordan Peele’s ‘Us’
Jordan Peele has always had his finger firmly on the pulse of the human condition – this was evident in his groundbreaking comedic work on... Read More
Review: ‘I Am Not a Witch’
In Nigeria, within Keats State, a Goat was arrested as an armed robbery suspect. A vigilante group apprehended the Goat with the impression that human... Read More
Review: ‘Sorry to Bother You’
Coonery, buffoonery, toxic masculinity, feminism, identity, and Black lives matter are among the many themes tackled in Boots Riley’s directorial debut film Sorry To Bother... Read More
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW] 
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019) 
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead