If a film’s logline refers to the protagonist as someone who “gets caught up in the criminal underworld in Los Angeles,” there’s a good chance... Read More
Film Reviews
Bored out of her mind, 17-year-old Lea (Lily McInerny) is doing what a normal teenager has to do to fill in the time before her... Read More
Exactly a year removed from the premiere of the acclaimed documentary Flee at last year’s Sundance Film Festival, comes My Old School, another nonfiction film... Read More
Ashes in the snow. That is what we see in the beginning of Julian Higgins’ slow-burn thriller, God’s Country, as Sandra Guidry (a dynamic Thandiwe... Read More
Riley Stearns was one of my favorite discoveries at SXSW 2019. Nearly every writing and directing decision in The Art of Self-Defense was on my... Read More
At a certain point in our lives, we’ve fallen in love. Could happen at a young age, as it does for Andrew (Javien Mercado), at... Read More
In an opening scene of Resurrection, a film by writer/director Andrew Semans, premiering at Sundance Film Festival, Margaret, played by Rebecca Hall, counsels a young... Read More
It begins with a scene akin to a horror film when the protagonist faces the worst nemesis. Three girls are sitting in a bathtub huddled... Read More
“You’ve got to be strong to be a First Lady.” That’s a line stated by Trinitie Childs (Regina Hall) early on in Adamma Ebo’s feature... Read More
Mariama Diallo’s debut feature Master begins as most coming of age college films do, with orientation and getting to know the place our characters have... Read More

Sundance Review: ‘Emily the Criminal’ is a lean, mean thriller with Aubrey Plaza’s most subversive performance ever [Grade: A]
Sundance Review: Mind the age gap and narrative cohesion in ‘Palm Trees and Power Lines,’ stay for Lily McInerny’s bracing performance [Grade: C-]
Sundance Review: Jono McLeod’s doc ‘My Old School’ threads a fine line between humor and pain, truth and lies [Grade: B]
Sundance Review: Julian Higgins’ ‘God’s Country’ is a showcase for a powder keg performance from Thandiwe Newton [Grade: B]
Sundance Review: Riley Stearns’ sci-fi satire ‘Dual’ gives us a killer double dose of Karen Gillan [Grade: B+]
Sundance Review: The cute and quirky ‘Cha Cha Real Smooth’ glides right into your heart with pitch perfect performances from Cooper Raiff and Dakota Johnson [Grade: A]
Sundance Review: In Andrew Semans’ tense and terrifying ‘Resurrection,’ Rebecca Hall gets under your skin [Grade: A]
Sundance Review: James Ponsoldt’s ‘Summering’ is an adventurously fanciful but cold tale of childhood [Grade: C]
Sundance Review: Regina Hall and Sterling K. Brown preach a committed yet familiar gospel in church satire ‘Honk for Jesus, Save Your Soul’ [Grade: B-]
Sundance Review: Mariama Diallo’s ‘Master’ balances horrors real and imagined in the world of institutionalized academic racism [Grade: B]
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]