Hollywood hasn’t had a creative muse like Andy Weir in quite some time. Though not nearly as prolific, his combination of hard-science technical detailing imprinted... Read More
Other
The last day and a half of the 2026 True/False Film Fest saw the massive shift in the weather, from major thunderstorms and rain to... Read More
Two of the easiest categories to predict on Oscar night are right here, and have been months. Paul Thomas Anderson’s One Battle After Another is... Read More
It’s hard to describe the momentousness of Cherien Dabis’ All That’s Left of You in a way that captures it with the justice it deserves.... Read More
And so we limp to the finish line of another awards season. Every year I tell myself it won’t feel quite this long. Every year... Read More
With American Society of Cinematographers (ASC), BAFTA and British Society of Cinematographers (BSC), Michael Bauman has the goods to win the Oscar for One Battle... Read More
A big weekend for sound awards with Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE), which offered us at least one little surprise... Read More
The 40th annual American Society of Cinematographers awards were held Sunday evening where One Battle After Another won the theatrical feature film award for Michael... Read More
The Motion Picture Sound Editors (MPSE) guild has revealed its winners for the 2026 Golden Reel Awards, where Sinners topped the film categories with wins for Outstanding Achievement... Read More
Winners of the 76th WGA Awards were announced in New York on Sunday where Oscar frontrunners One Battle After Another and Sinners won the top... Read More

Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
‘Project Hail Mary’ Review: Ryan Gosling is Stuck Between a Rocky and a Hard Place in Crowdpleasing Sci-Fi Buddy Movie Adventure [A-]
True/False Film Fest Dispatch #3: ‘Barbara Forever,’ ‘Time and Water,’ ‘American Doctor’
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
‘All That’s Left of You’ Review: Cherien Dabis’ Drama of Palestinian Origin and Struggle is a Generational Touchstone [A]
2026 Oscar Predictions: The Awards Alchemist Predicts the Winners – Part One
FINAL 2026 Oscar Predictions: CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST SOUND
American Society of Cinematographers (ASC) Awards: ‘One Battle After Another,’ ‘The Studio’ and ‘Black Rabbit’
Motion Picture Sound Editors (MPSE) Golden Reel Awards: ‘Sinners,’ ‘Frankenstein’ Top Film Wins
Writers Guild of America (WGA) Awards: ‘One Battle After Another,’ ‘Sinners’ Take Film Wins, ‘The Pitt’ Sweeps TV
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]