Cannes Critics’ Week selection Baby tells the heartbreaking coming-of-age story of a young man desperately in search of a father figure and systematically failed by... Read More
cannes film festival
Mumbai is alive in Payal Kapadia’s stunning second feature All We Imagine as Light. It’s a boundless shape-shifter, always moving its millions of disparate parts,... Read More
Stranger by the Lake writer-director Alain Guiraudie remixes his favorite themes – loneliness, longing, unrequited love, obsession, secret, crime, coverup – once again in his... Read More
For over two decades, Nabil Ayouch has been a dominant force in Moroccan cinema, crafting films that have garnered both critical acclaim and international recognition.... Read More
Parthenope is the coming-of-age story of an impossibly beautiful woman, much as in Giuseppe Tornatore’s Malèna, who turns heads everywhere she goes. Fortunately, the titular... Read More
Irish filmmaker Lorcan Finnegan’s previous film Vivarium explored the horrors of suburban domesticity. His latest, The Surfer, which played out of competition at Cannes, is... Read More
Not every girl wants to be somebody’s princess, but anyone who does, should be given the opportunity. This is not exactly what Sean Baker wants... Read More
We love it when a prominent auteur uses cinema to take stock of time passed and the remaining time; to cherish the love he must... Read More
Iranian-Danish director Ali Abbasi is really going against the grain of auteurism. His last three films have all premiered in Cannes competitions; in 2019 Border... Read More
Returning to the Croisette with a euphoric, rebellious bang, Cannes regular Kirill Serebrennikov (2018’s Leto, 2021’s Petrov’s Flu, 2022’s Tchaikovsky’s Wife) brings Limonov – The... Read More

‘Baby’ Review: Marcelo Caetano’s Coming of Age Story is a Thoughtful Look at Predatory Power | Cannes
‘All We Imagine as Light’ Review: Mumbai Comes Alive in Payal Kapadia’s Complex ‘Little Women’-esque Portrait of Sisterhood | Cannes
‘Misericordia’ Review: Alain Guiraudie’s Mines Comedy and Melodrama in Tale of Repression and Loneliness | Cannes
‘Everybody Loves Touda’ Review: Nisrine Erradi’s Nuanced Performance Elevates Nabil Ayouch’s Return to Form | Cannes
‘Parthenope’ Review: Paolo Sorrentino is Once Again Obsessed with a Great Beauty | Cannes
‘The Surfer’ Review: Nicolas Cage is at his Unhinged Best in Goofy Tragi-Comic Folly About Toxic Masculinity | Cannes
‘Anora’ Review: Sean Baker’s Joyous New York City Tale Finds Love in a Hopeless Place and a Superstar in Mikey Madison | Cannes
‘The Shrouds’ Review: David Cronenberg’s Exploration of Loss Ends Up Digging Its Own Grave | Cannes
‘The Apprentice’ Review: Sebastian Stan and Jeremy Strong are the Perfect Toxic Duo in Ali Abbasi’s Story of Donald Trump’s Rise | Cannes
‘Limonov – The Ballad’ Review: Ben Whishaw is Unrestrained in Inspired Biopic of the Rebel Vagabond | Cannes
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10